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Issue #42 December |
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NAMES, AGES, INSTRUMENTS, AND OTHER PREVIOUS/CURRENT BANDS. Jeff, Scott, Ben, Keith, Adam. The usual drum/guitar/bass deal, with two singers that yelp and sometimes roll around on the floor. As far as our ages, collectively and in dog years, we’re thousands of years old. We’ve all been in previous bands that are just as unpopular and unknown as this one. Some of us are in current bands that are just as unpopular and unknown as this one. HOW DO YOU DESCRIBE NECKTIES? Well, Spin.com called us, “A delicate amalgamation of finesse and savagery.” How’s that? Seriously, though, we’ve been compared to everyone from Crimpshrine to Palatka, so that pretty much throws any accurate description right out the window. It’s five guys trying like hell to just keep it together, musically and otherwise. One review of our first record said that we sounded like a mid 80’s East Bay band; that one seems fairly accurate, I guess. WHAT ARE SOME COMMON INFLUENCES? GOALS? Common influences would probably be drinking beer and making noise. Common goals would also most likely be to continue drinking beer and making noise. HOW DID THE BAND START? We’ve all known each other for years. Ben had some trepidations about being one of the two vocalists. But then we went to his house before the first practice and made him get in the car. Best thing we could’ve done. WHERE DID THE NAME COME FROM? Any particulars about the band name have been lost to the sands of time, dude. We just made that shit up, you know? WHAT ARE YOUR SONGS ABOUT, IN GENERAL? In the words of the infinitely wise and sage-like China Loca: “This is all you’re ever gonna get, so I hope this is all you want.” I mean, we tackle some topical shit as well – domestic violence, how to keep at least some minor amount of idealism intact while aging in punk, railing against a government gone power-mad and questionably batshit insane – but the whole concept that things irrefutably suck shit and probably won’t be getting better seems to be the general idea, in a nutshell. IN THE SONG OPERATION JUNIOR HIGH, YOU SAY "WE WERE ALL PICKED LAST IN GYM CLASS, FOR CHRIST'S SAKE", IS THIS SONG SUPPOSED TO BE ABOUT HIPSTERISM OR ABOUT ELITISM IN THE PUNK SCENE OR IN GENERAL? WHAT INSPIRED THE LYRICS TO THIS SONG? The song’s specifically about elitism in punk rock, which I find both absolutely hilarious and totally frustrating. I guess I just assume that most punk kids come from the same background as me: totally and one hundred percent alienated before I found this thing, totally feeling apart from. So when I come across punk kids being standoffish or dismissive or standing around with an air of cultivated cynicism – a sense that there’s a hierarchy here – it’s just baffling to me. If I wanted that shit I’d go to a sports bar. As far as the inspiration goes, we apparently haven’t been going to the same shows. IN ANOTHER SONG, APPARENTLY THE KMHERE ROUGE ARE KILLING QUITE A LOT OF PEOPLE IN PORTLAND, YOU MENTION PORTLAND'S ALBERTA STREET AS BEING A "WAR ZONE". CAN YOU TELL ME WHAT THIS SONG IS ABOUT AND HOW ALBERTA STREET IS RELEVENT? The lyrics you’re talking about go like this: “I’ve never seen a child take a hot one in the lung. Neither have you, but the photo’s by your songs. It’s all colored vinyl and the Viet Cong. I guess Alberta’s quite the war zone.” It’s sarcasm, dude. Alberta was used in the sense that I consider it a microcosm of Portland itself. The explanation that follows that song in our record says: This one’s about the appropriation of violent images in punk, mostly used by ‘brutal’ bands – I’ve got a problem with punk bands who use violent images of (mostly) 3rd world people getting their asses massacred and then doing little more than putting a standard “war sucks” song on the record, if that. Alberta is a now fairly gentrified area of Portland and yes, we’re fully aware that we probably won’t be making any new friends with this one.” How’s that? WELL, IF I WANTED TO, I COULD HAVE PRINTED YOUR RECORD SLEEVE INSTEAD OF THE INTERVIEW. I GET THE SARCASM, DUDE. HOWEVER, I WAS HOPING YOU COULD GO IN DEPTH TO HOW ALBERTA STREET PERTAINS TO “BRUTAL” BANDS AND NOT JUST JACK ME OFF WITH WHAT THE RECORD ALREADY SAYS. I HAVE A STRONG INTEREST IN THIS SUBJECT, TOO. WHICH IS WHY I LIKE YOUR BAND. ANYWAY... SO...WE'RE STILL COOL, RIGHT? YOU HAVE A BRAND NEW RELEASE CALLED I'M THE CAPTAIN AND I'M TELLING YOU THIS SHIP IS FUCKED, HOW HAS THE BAND CHANGED OR EVOLVED SINCE THE FIRST RELEASE? Still the same band members, thank Christ. The sound on the new record’s more cohesive; we’ve gotten closer to discovering what works for us and what doesn’t. We’ve gotten a lot more comfortable with writing stuff together, discarding an idea if it doesn’t work and latching onto what does. YOU SEEM TO HAVE CONSISTENCY IN THE ARTWORK FOR YOUR RECORDS. WHO DOES THE ART? WHERE DO THE ART CONCEPTS COME FROM? Keith, purveyor of the claw-style guitar, does all the art. For the This Ship Is Fucked 7”, I think we came up with the title of the record first, then the art itself came afterwards. HOW HAVE YOU BEEN RECIEVED IN PORTLAND? That really depends on when you see us. We hardly ever play shows, and when we do, the quality can be pretty goddamn far-spanning. We’ve played really well before; we’ve also gotten so shitfaced drunk and played so poorly that we’ve cleared plenty of rooms. On the 4th of July, Damien from the Coop actually asked us to turn our shit down, which, for all we know, may have been a first for that place. Keith spent most of the time with his guitar cord wrapped his neck running into people while Mullett tried singing and playing a broken bass and Ben kicked a dude in the chest. We’re definitely not one of those bands that play the same quality of show every time. We can play really well or we can be one of the worst bands you’ve ever seen. WHAT DO YOU LIKE ABOUT THE PORTLAND PUNK SCENE? DISLIKE? The free donuts are cool, but the fact that you have to pre-register totally blows. ANY FAVORITE PORTLAND BANDS? Defect Defect, Early Times, Thought Patterns, Criminal Damage. UPCOMING RELEASES? We’re writing a new batch of songs now. Best stuff we’ve done. We’ve been asked to be on a few comps, mayhap we’ll be doing a split 7” with some friends from San Jose and hopefully, if we keep writing the radio-friendly hits like we have been, a 12” should be out reasonably soon. That’s what we’re really focusing on right now. Thanks much for the interview.
By Dahr Jamail,
November 26 2008
“Observance of customs and laws can very easily be a cloak for a lie so subtle that our fellow human beings are unable to detect it. It may help us to escape all criticism, we may even be able to deceive ourselves in the belief of our obvious righteousness. But deep down, below the surface of the average man’s conscience, he hears a voice whispering, ‘There is something not right,’ no matter how much his rightness is supported by public opinion or by the moral code.” - Carl Gustav Jung What’s in a system? We in the United States have grown acclimatized to a system that first dehumanizes us and then inevitably feeds on our dehumanization, sucking away at our resources, our rights, and our resistance while we scamper frantically around in the pursuit of life, liberty, and happiness. We would like to imagine that it is our agency that drives us, and that our lives are under our control. The truth, however, is that we are the ones under control. The reason we do not notice it is that this control is Recently, I passed through an airport checkpoint monitored by the TSA (Transportation Security Administration) and witnessed the “system” rear its ugly head yet again. TSA is one of several security gifts from the Bush administration, or rather, from the twisted conjunction of corporate business and state power that oversees and safeguards our “freedom” and “democracy” through an elaborate system of control mechanisms. Immediately in front of me, an elderly gentleman in a wheelchair was trying to reason with the security guard who was asking him to take off his sandals. “What do you want me to do? I didn’t wear socks so you could see my feet since I’m unable to bend over and take off my sandals.” “Sir, you must comply with policy,” the guard said in a raised voice, as three other TSA agents moved in behind him, arms folded ominously across their chests, and surrounded the elderly man in the wheelchair who requested their assistance, doing what he could to “comply.” None of the guards stepped forward to take off his sandals for him in order to check his feet. In exasperation he shouted, “I’m asking for help, and you won’t do it, so what do you want me to do? What the Hell am I supposed to do? What are you afraid of? I’m an old man in a wheelchair! Are you afraid of my sandals?” The guards would not allow him through the x-ray until he eventually lowered his voice. We must never upset the status quo, because that is an important pillar of a system that holds change in dread. Do not rock the boat, and don’t you dare speak up, lest it indicate that something is wrong. It requires no crystal ball to see that we are embedded in a system that has no qualms about harassing old men in wheelchairs or making pregnant women walk through x-ray machines. It is the same system that is killing scores of Iraqi and Afghan civilians daily, and killing the planet systemically. It is a system that requires us to be sleepwalkers, rather than alert and sensitive humans. A Symbol Is Born My partner was in Tanzania recently. I quote from an email from her which encapsulates the elation that individuals and societies across the globe have experienced at the unprecedented outcome of the recent presidential election in the United States. “My short band radio was already on, tuned to the BBC … I bent down to photograph a small beautiful white flower that grows on the plains here, and as I clicked the shutter, the radio announced that Obama had won the election … It was an incredible moment, to be here in East Africa as we elected our first African-American President.” Indeed, the profundity of an African-American being elected into the office of the president of the United States of America cannot be overstated. Barack Obama will soon be living, with his family, in a White House that was constructed by black slaves. The significance is not lost on most of us, or on people across the world, especially in Africa. Indeed, the times they are a-changing. The entire presidential campaign was abuzz with talk of change. Barack Obama, elected, symbolizes the deep desire for change in our country. We thirst for it like one would for cool water in the desert. Our lungs are starved for a breath of positive change in a new direction. We crave a genuine diversion from the death-wish course that corporate capitalism has been pursuing for as long back as most adults in this country can remember. The victory of Barack Obama symbolizes our need for change. The inhabitants of this planet are beginning to sense the need for something that can replace the willful and self defeating death urge of corporate consumer culture that is bent upon destroying everything. The fate of the world, one could argue, is dependent on a shift in consciousness. The election of Barack Obama has demonstrated that this shift is, in fact, occurring. My partner wrote that her entire journey “… has been wonderfully saturated by the immense excitement for Obama. Being so close to Kenya, the local news shows images of his family’s joy and the villagers dancing, and also Kenya’s own mock election of our candidates. I haven’t met a single person, who upon learning of my US citizenship didn’t initiate a conversation about Obama and the future of the US. They are thrilled, and seemingly proud, of America poised for change … and as I traverse one corner of this massive continent, I hear it over and over again: ‘We love Obama - he has a hard road ahead of him, but the world is ready to stand by him.’ One woman chose to clarify to me ‘… and it’s not because he’s black-skinned that we believe in him …’” She continued, “After eight years of feeling angry at and ashamed by the actions of the Bush administration, and in the very moments of worldwide celebration for our country’s clear voice for a new path, I find myself feeling a certain excitement for the challenging road that lies ahead for our country. Here, amidst nearby turmoil and tribal conflicts, Africa is, as is the whole world, looking to us again with a sense of renewed possibility in their eyes.” Undeniably, there is possibility in this moment. But is there change? Since it is the United States that is primarily responsible for dragging the world economy into a recession, much of the world is now relying on it to provide the solution. Needless to say, the same applies to our vainglorious attempts at empire building, our excessive contribution to heedless pollution, our invasion of sovereign states, our transgressions and violations of international law…. We have an African-American president, but let us also bear in mind that he is but a symbol, and our need and faith may not suffice for the symbol of change to deliver real change. There is a tremendous schism between what Barack Obama is saying, and what he is doing. Already, he is gathering around him a group of people that are not only likely to maintain status quo, but worse, cause our current catastrophic situation to worsen. On November 17, Obama promised on CBS News 60 Minutes to shut down the Guantanamo Bay concentration camp, while his advisers are simultaneously crafting a plan to create a brand new system of “Preventive Detention” and “National Security Courts.” Preventive detention facilities do not give people the right to challenge their own detention, which is essentially what the Guantanamo Bay gulag has been all about - detaining people without charging them with a crime, and without trial. All we have at the moment is a suggestion of brand change, but nothing about policy change. Obama promises to restore the moral stature of the United States. He has John Brennan and Jami Miscik, former intelligence officials under George Tenet, leading his review of intelligence agencies and making recommendations to the new administration. Brennan supported warrantless wiretapping and kidnapping (extraordinary rendition) and Miscik was involved with the politicized intelligence alleging WMDs in Iraq. They were both part of the team that provided the phony intelligence when Tenet informed Bush during the lead up to the Iraq invasion that the intelligence to support it was a “slam dunk.” The incoming administration has also revealed that there will be no attempt to bring criminal charges against government officials who authorized or engaged in torture during the Bush presidency. The new Defense team is being led by former Deputy Defense Secretary John P. White, who is the chair of the Kennedy School of Middle East Initiative at Harvard, and Michele Flournoy, president of the Center for a New American Security famed for the Iraq bombing and sanctions under President Bill Clinton. Obama’s transition team leaders are six of his top fundraisers, four of whom raised $500,000 or more for his campaign. One of them, Tom Donilan, was a lobbyist for mortgage giant Fannie Mae during 1999-2005. The President-elect himself voted in favor of the recent $750 billion bailout. We were also treated to an echo of hollow rhetoric from the Bush chambers when the new president said on CBS that, “It is a top priority for us to stamp out al Qaeda once and for all,” and that killing or capturing the groups mastermind Osama bin Laden was “critical” to US security. On that note, let us note that Obama has already made it clear he refuses to “rule out” using mercenary companies in war zones, he has labeled Iran’s Revolutionary Guard as a “terrorist organization,” he plans to escalate the war in Afghanistan, and he has pledged to use unilateral force in Pakistan to defend US interests. Obama’s running mate, Joe Biden, despite having stated that his vote to authorize the use of force in Iraq was “mistaken,” was an important facilitator of the war. He has also shamelessly championed the absurd idea of partitioning Iraq into three areas based primarily on ethnicity and religion (Balkanization). Nor let us forgive the apparent selection of Hillary Clinton as Secretary of State. She was an ardent supporter of her husband’s sanctions and bombing campaign against the people of Iraq throughout the 1990s, and she supported the Iraq Liberation Act of 1998, which helped lay the groundwork for George W. Bush’s invasion in 2003. As a US Senator, Hillary Clinton said, “Saddam Hussein has worked to rebuild his chemical and biological weapons stock, his missile-delivery capability and his nuclear program. He has also given aid, comfort and sanctuary to terrorists, including al Qaida members … I want to insure that Saddam Hussein makes no mistake about our national unity and our support for the president’s efforts to wage America’s war against terrorists and weapons of mass destruction.” Other so-called liberal hawks either in or advising Obama’s team include the likes of Madeleine Albright, a war criminal who, as Bill Clinton’s US Ambassador to the United Nations, was asked on 60 Minutes if she thought the price of 500,000 Iraqi children killed by the sanctions was worth the price to contain Saddam Hussein and said she thought that the price was “worth it.” The list is long, but I will just mention two more of note. Martin Indyk, the founder of the Washington Institute for Near East Policy, spent years working for AIPAC and served as Clinton’s ambassador to Israel and Assistant Secretary of State for Near East Affairs, while also playing a major role in developing US policy toward Iraq and Iran. In addition to his work for the US government, he has worked for the Israeli government, and with the neo-conservative think-tank the Project for the New American Century - which devised the US blueprint for global domination. The idea of Obama keeping Robert Gates as Secretary of Defense is equally disturbing. Let us remember, it is Gates who supports a new generation of nuclear weapons at a time when even George Shultz and Henry Kissinger are calling for nuclear abolition. Gates wants to apply his surge approach to Afghanistan, and while he has criticized the massive budget and influence of the Pentagon, when he had the chance to rectify both problems, he has refused to do so. For example, in his FY 2009 budget request - the last he will be officially responsible for - he added $36 billion, an increase former CENTCOM commander Anthony Zinni noted, “is roughly equivalent to the entire budget for International Affairs.” Schism Galore On November 16 it was reported that Obama is pursuing an ambitious peace plan in the Middle East that involves the recognition of Israel by the Arab world in exchange for its withdrawal to pre-1967 borders. Yet, the first appointment he made was of Rahm Israel Emanuel as his White House Chief of Staff, easily the most powerful office in the executive branch. In the 1940s Rahm’s father, Benjamin, helped smuggle weapons to the Irgun, the Zionist militia of former Israeli Prime Minister Menachem Begin. The Irgun carried out numerous terrorist attacks on Palestinian civilians, including the bombing of Jerusalem’s King David Hotel in 1946. Rahm’s father, commenting on how his son would influence US policies toward Israel, is reported to have told an Israeli paper, “Obviously he will influence the president to be pro-Israel. Why wouldn’t he? What is he, an Arab? He’s not going to clean the floors of the White House.” To his credit, Emanuel apologized for his father’s incendiary remarks. But that does not alter the fact that he has been a consistent and vocal pro-Israel hardliner. In July 2006, Emanuel was one of several members who called for the cancellation of a speech by visiting Iraqi Prime Minister Nouri al-Maliki to the Congress because al-Maliki had criticized Israel’s bombing of Lebanon. Around the same time, Emanuel referred to the Lebanese and Palestinian governments as ‘totalitarian entities with militias and terrorists acting as democracies” in a speech supporting a House resolution backing Israel’s bombing of both countries that had caused thousands of civilian casualties. He accompanied Obama to an AIPAC executive board meeting last June, immediately after the Illinois senator had addressed the pro-Israel lobby’s conference. Emanuel is one of the most influential politicians and fundraisers in the party, and has played not an insignificant role in the costliest campaign for presidency that the country has known. Sheldon Wolin writes in “Democracy Incorporated: Managed Democracy and the Specter of Inverted Totalitarianism”:
Security Lies in Securing Bases
Barack Obama announced on CBS that immediately upon taking office on January 20, he and his security advisers will “start executing a plan that draws down our troops” from Iraq. What we never hear him mention is the massive US military infrastructure being developed in Iraq. The US “embassy” in Iraq is the largest embassy in the world and the most secure diplomatic compound in the world. At a construction budget that now exceeds $1 billion, the “embassy” is a self-sustaining cluster of 21 buildings reinforced 2.5 times the usual standards, with some walls as thick as 15 feet. Plans are for over 1,000 US government officials to work and reside there. They will have access to gyms, swimming pools, barber and beauty shops, food courts and the commissary. There will also be large-scale barracks for troops, a school, locker rooms, a warehouse, a vehicle maintenance garage, and six apartment buildings with a total of 619 one-bedroom units. The total site will be two-thirds the area of the National Mall in Washington, DC. And, luckily for these “government officials,” their water and electricity supplies and sewage treatment plants will be independent of Baghdad’s city utilities. Meanwhile, one of four residents of Baghdad, a capital city of over six million, are now displaced from their homes thanks to the so-called surge. Of those lucky enough to still have a roof over their head, they receive an average of 3-4 hours of electricity on good days, and recent reports show that at least 45 percent of Iraqis lack access to safe drinking water. Then there are the permanent military bases in Iraq. To give you an idea of what these look like, let’s start with Camp Anaconda, near Balad. Spread over a modest 15 square miles, the base boasts two swimming pools, a gym, a mini-golf course and first-run movie theater. There are 30,000 soldiers who live at the Balad Air Base, where they can inspect new iPod accessories in one of the two base exchanges, which additionally offer piles of the latest electronics and racks of CDs to choose from. Thousands of civilian contractors live at the base in a section called “KBR-land.” Doctors at the base hospital carry out as many as 400 surgeries every month on wounded troops. Air Force officials on the base claim their runway is one of the busiest in the world. A steady stream of unmanned Predator drones carrying Hellfire missiles take off from there along with F-16s, C-130s, helicopters and other aircraft from a total of 250 that the base houses. If our troops aren’t up for the rather lavish dinners served by Third Country nationals from India, Nepal, Sri Lanka and Bangladesh working for slave wages, they can dine at Burger King, Pizza Hut, Popeye’s or Subway, then wash it down with a mocha from Starbucks. There are other gigantic bases in Iraq, such as Camp Victory near Baghdad Airport, which when complete will be twice the size of Camp Bondsteel in Kosovo, currently the largest overseas US base since Vietnam. At Camp Liberty, adjacent to Camp Victory, soldiers even compete in triathlons. According to a news article on a DOD web site, “The course, longer than 140 total miles, spanned several bases in the greater Camp Victory area in west Baghdad.” There is never any talk of full withdrawal of all forces from Iraq because US policy dictates a continuance of its military presence there. Less than two weeks after the fall of Baghdad on April 9, 2003, military officials announced the US intention to maintain at least four large bases in Iraq for future use, to be located respectively near Baghdad International Airport (where the triathlon was), at Tallil near Nasiriyah in the south, at either Irbil or Qayyarah (80 kilometers apart) in the Kurdish north, and one in western al-Anbar province at al-Asad. These do not include Camp Anaconda in Balad. Billions of dollars have been spent in their construction, and if today they are in the mentioned locations, it only indicates that the military planners had blueprints ready long before Mr. Bush declared that major combat operations were over in Iraq. Note that while US officials never use the word “permanent” when referring to military bases in Iraq, they do talk of “permanent access.” I quote from a front page story in The New York Times on April 19, 2003, entitled “Pentagon Expects Long Term Access to Four Key Bases in Iraq”: “There will probably never be an announcement of permanent stationing of troops. Not permanent basing, but permanent access is all that is required, officials say.” None of the 700-plus US military bases and installations located abroad are considered “permanent,” which is why ambivalent instruments like SOFA, the Status of Forces Agreement exist. A quick glance at US government military strategy documents is even more revealing. The claims: “Our forces will be strong enough to dissuade potential adversaries from pursuing a military build-up in hopes of surpassing, or equaling, the power of the United States.” To accomplish this, it adds, we will “require bases and stations within and beyond Western Europe and Northeast Asia.” Another interesting document is “Joint Vision 2020,” within which the Chairman of the Joint Chiefs of Staff’s “vision” is, “Dedicated individuals and innovative organizations transforming the joint force of the 21st Century to achieve full spectrum dominance: persuasive in peace, decisive in war, preeminent in any form of conflict.” The Quadrennial Defense Review offers another priceless key to US foreign policy. In this document, a stated ambition for the US military is to have the capacity to fight “multiple, overlapping wars” (Afghanistan, Iraq, etc. …) and to use the US military to “ensure that all major and emerging powers are integrated as constructive actors and stakeholders into the international system.” What can be a more obvious proclamation from US policymakers about having replaced the Cold War with a Long War for Global Empire and Unchallenged Military Hegemony? Viewed through this lens, it is not difficult to comprehend the need for permanent US bases in Iraq and elsewhere. At the height of the Roman Empire, Rome had 39 foreign military outposts. The British had 38 at their peak. The US, in the twilight of her lust for empire, currently has just over 730 according to the Department of Defense. We have not heard from our new President-elect any articulation of the intent of total withdrawal of all US military personnel and bases from Iraq. Nor has he made any suggestion about the imperative to alter the country’s policy of global domination. Making Real the Symbol But this is not the time to despair, or merely hope.
To underscore the essence of this moment in history, I refer once again to my partner’s email from Africa, “We must not forget the tremendous responsibility we have now, to see that Obama maintains his promise of change … we must not relinquish this moment nor this victory into his hands entirely. As he learns to lead us, so must we learn to lead him.” sounds
like bullshit to me. -zack CEREMONY is Ross Farrar
(vocals), Ryan Mattos (guitar), Anthony Anzaldo (guitar), Justin Davis
(bass), and Jake Cazarotti (drums). The band mixes fast rhythm and powerful
vocals in a genre often referred to as power violence a sub genre of
Hardcore. Ceremony was formed in 2004, with their first major release
in June 2006 on Malfunction Records titled, “Violence Violence.”
Since then the band has developed an extremely large fan base, continues
to tour constantly and has had two more releases. They just recently
hit Portland on tour with HAVE HEART
and BLACKLISTED, and I had the pleasure of interviewing Ross,
who was perhaps one of the nicest people I’ve met in the Hardcore
scene for sometime. (There were some technical difficulties with my
recording device on three of the questions so a few of the questions
are fairly brief.) Me: The New Album hit August 15th, were there personal reasons behind the title ‘Still Nothing Moves You’ and or was it directed a specific group? Ross: I was on the subway in Frankfurt,
Germany and we were going downtown to where the main train station was
and I looked at a wall and it said, “still nothing moves you.” And
I was like, “Ha, there it is…that’s it I love it.” So basically
I just got it off this wall. As far as personal inspiration or artistic
endeavors that have to do with the title, I’d say it’s more about
the current state of affairs and how a lot of people lack passion and
inspiration. Why no cover songs on the new album? We just wanted to be pure Ceremony,
just the purest form of Ceremony we could possibly get…modern, pure
modern artists. Your sound isn’t like to many other bands in the hardcore scene right now, who are your biggest influences musically? Pink Floyd, yeah and Black Flag. In the ‘Difference Between Looking and Seeing,’ what does the line, “temporary culture makeshift”, mean? Um…the difference between looking
and seeing…lets see what was I writing about? You gotta pause the
thing I need to think about this. (Pause) The song is about my generation
of kids and when I was writing a song I was just writing about mainstream
culture and society, so that line was kind of inspired by fads and things
that come and go, you know really simply and don’t have much substance.
It wasn’t really generalized for one thing it was just more like our
mainstream generation as a whole. The lines, “Use sex to dish the filth,” and “Fuck the Government, with your fist,” have violent imagery reminiscent of rape, but also a raised fist often seen in movements of resistance and solidarity. Care to elaborate? When I was writing the song (Plutonic
Swine Rake) I wanted it to be kind of filthy and kind of funny at the
same time, I didn’t want it to be super serious but it is a serious
line, but I just wanted to do something different because I haven’t
really wrote anything sexual before in Ceremony and I just wanted to
change it up that way. A lot of your songs refer to a sense of disconnect, a struggle to live a real life. Well, when I was younger I did
some bad things and I wasn’t too happy. And even now that I’ve been
able to pull my self out of it, that never changes I still recognize
it and it will always be there. There aren’t to many political bands left in the hardcore scene today, what are your politics? I’m political in a sense, I don’t
support the Government in any way, I don’t have a party, I don’t
support the GOP or the Democrats really, I didn’t vote. But I know
about politics, I’ve read a lot of political stuff. I find it interesting
but I don’t want to be involved with it in any way. You’ve been touring a lot lately, what has that been like? It’s been great, I love touring.
I think at this point I’ve been across the country 17 or 18 times. What have you been eating on the road? Actually we’ve been eating pretty
well. A lot of vegan cuisine because a few of the band members are vegan.
So we have to find something to accommodate all of us. What color is your toothbrush? Um, It’s yellow and Blue and
its in the shape of a whale. Dead Moon California (Midnight Solitude) opened my eyes my temples in strain pictures of strangers I've wanted to meet they’re not as real as the bones that I sleep in missing people that never went missing when I am real I look forward to living maybe some day I'll be a good person… Thanks for reading -Pan Gaza's Death Throes and no one's listening What kind of government in the
21st century can deny another people basic human rights -- that is,
the right to food, water, shelter, security and dignity? What kind of government imposes draconian sanctions on another people for democratically electing a government not to its liking? What kind of government seals a heavily populated territory of 1.5 million people so that no person can enter or leave without permission, fishermen cannot fish in their own waters, and world food aid cannot be delivered to the starving population? What kind of government shuts off fuel, water and electricity and then rains down on the people, bombs and artillery fire? The answer is: no government of integrity. And yet, government after government in Israel continues to demand recognition and accolades as a first world democracy superior to all others, despite Israel's flouting of international law, its human rights abuses and the criminality and corruption of Israeli leaders. Worse still, the world has acquiesced and has welcomed every Israeli administration into its fold as a favored guest. This should give everyone pause to revisit our noble declarations of independence and human rights, ethics, morality, religious beliefs, civil liberties and the rule of law. Are they just for show or do they really mean something? Are they intended only for some people or for all people? Israel's President Shimon Peres is just one of the many leaders who have furthered Israel's aggressive policies and programs and yet he has been honored with a knighthood from the Queen and is likely to be honored with a lecture series named after him at Oxford University's Balliol College. Dubious honors indeed, for a man who helped to forcibly expel 750,000 Palestinians from their homeland in the 1948 war. Today, we are witnessing in Gaza the kind of ghetto the world thought it would never see again and the comparison was conjured up early this year by Israel's Deputy Defence Minister Matan Vilnai when he threatened "a bigger holocaust [shoah]" against the Palestinians in Gaza. Later, he explained away his use of the word as meaning "disaster," when in fact it has emotional connotations well known to everyone. Either way, the threat was ominous enough. The slow death that is being visited on the Palestinians in Gaza is finding its first victims in more than 400 critically ill patients who are being prevented from leaving Gaza for urgent medical attention in Israeli or Arab hospitals. Thousands of other patients are being turned away from hospitals suffering from a severe shortage of 300 different kinds of medicines. The hospitals have been deprived of medicines and equipment for so long now, that the trickle of supplies finally being allowed through, can no longer meet the minimum daily needs of the Palestinian civilian population. Similarly, the energy fuel being shipped in, is barely enough to operate the Gaza power plant for one day. This drip-feeding of aid was suggested by Israeli Prime Ministerial adviser Dov Weissglas who said in February 2006: "The idea is to put the Palestinians on a diet, but not make them die of hunger." Such a malevolent policy has led to a steady increase in malnutrition as people are being starved of their staples of life. Not only have the flour mills been forced to shut down because fuel and power have run out, but now all wheat supplies have been exhausted. Out of the 72 bakeries operating in the Gaza Strip, 29 have completely stopped baking bread and others are expected to follow. This means that even the most staple of all foods -- bread -- will soon not be available for a hungry population. A Red Cross report describes the effects of the siege as "devastating". Seventy percent of the population is suffering from food insecurity while the suspension of food aid distribution to some 750,000 refugees in the pitiful camps in Gaza since 4 November, has further devastated Palestinians with no recourse to other alternatives. The United Nations, Amnesty International and Human Rights Watch have all called Israel's blockade "cruel." Former United States President Jimmy Carter makes no apology for describing the situation as "a heinous atrocity" amounting to a war crime. In Britain, Oxfam's CEO Barbara Stocking has strongly criticized the Foreign Secretary David Miliband for not mentioning the "human desperation" in Gaza on his recent trip to Israel and Palestine. Israel's tactics though may be unravelling. So draconian has been Israel's closure of Gaza, the world's biggest media organizations including The New York Times are outraged that their journalists have been banned from entering the Gaza Strip and have protested in writing to Israel's Prime Minister Ehud Olmert. Christian leaders have also been excluded from Gaza. Last week, Israel prevented Archbishop Franco, the Papal Nuncio in Israel, from celebrating mass to mark the beginning of Advent in the holy weeks leading up to Christmas. And in the occupied West Bank, Israeli Defense Minister Ehud Barak has approved the building of hundreds more illegal settlement units with a flagrant disregard of the peace process agreements, further frustrating the current US administration eager to produce a solution before the end of its term. What is truly astonishing is the world's silence in the face of all this. The shameful rush to grant Israel every honor and recognition so that it will be saved from the historical ignominy of having orchestrated the destruction of Palestinian society, is nothing short of unconscionable. Sonja Karkar is the founder and president of Women for Palestine and one of the founders and co-conveners of Australians for Palestine in Melbourne, Australia. She is also the editor of www.australiansforpalestine. (top) TRASH TALK hit Portland
for their 47th day of consecutive touring. Trash Talk a band
based out of Sacramento, California playing punk, thrash and hardcore
since their first release in 2005, on Sell our souls. Here they are
three years and four record labels later, still playing extremely fast
and extremely powerful music. When I saw Lee stand in front of the crowd
on Monday (November 17), the guy looked pissed off as he stared down
everyone in the crowd. Then the music started and the show was a great
one. Afterwards I caught up with Lee for an Interview. First things first, who are you? I’m Lee and I sing in Trash Talk. Your newest release “Trash Talk” recently came out on the trash talk collective record label, Why did you decide to release your own album? It’s something we’ve always
wanted to do ever since we started the band. With our 7” “Plagues,”
there was a lot more shit that we wished we could have done that we
didn’t get to do. We didn’t really have a contract with anyone,
so we decided to put it out ourselves. So we could have full control
over our release, ever aspect as far as like where it’s at, recording,
all the quality, like there’s no one to point the finger at except
for us really. We just wanted to do it all ourselves basically, full
control over it. How do you feel about your new album? I’m psyched on it, I feel like
it sounds a lot less produced than our previous record. I feel like
our first two seven inches are good, I like them, but I feel like they
sound over polished as far as recording quality goes. I feel like
with this one it’s more gritty, almost like what you’d here live.
That’s what I like in records, like what you see on a record and what
you hear live should go together, you know? Your music is different than a lot of bands in the Hardcore scene today, what are Trash Talks biggest influences musically? As far as I go, I like older stuff black flag, circle jerks, bad brains, Negative Approach, Dead Milkmen, Agnostic Front like all that shit. Our guitar played doesn’t even listen to hardcore He likes folk and same with our bass player they listen to like folk and jazz, I’m probably the only one that strictly listens to…not strictly but I listen to it more than anyone else in the band. “For years and years we had been groomed to be a polished product in a doomed society We built the empire For years and years we have been kicked below the surface dragged above and kicked back down again Erase the empire.” That song is about a record label
that we’ve dealt with, it’s basically about our issues with them,
and a lot of empty promises, like a lot of shit has been promised .
Brought back to the surface and kicked back down again, Erase the empire.
You can’t buy something that’s not yours. That’s what that song
is about. Hardcore today has strayed from it’s anti-authoritarian, anarchist and DIY movements into more of a stagnant scene, is trash talk a political band, if so, what are your political views? I wouldn’t say we’re to much
of a political band, I feel like more of our issues are issues that
we deal with ourselves, they could relate to political issues as far
as the lyrics go they could definitely transfer over but its more so
like a self thing, a lot of people can grasp different stuff out of
it but mostly self stuff. I wouldn’t say we’re a political band
by any means because we all have different political views. Thebass
player and I do the lyrics and we try not to push any political agendas,
it’s important to us but I feel like it’s more like a self release
type stuff with us, it’s how we get our shit out. A lot of your songs show a deep hate for the city and society as a whole, a sense of never fitting in. Care to speak on that? There’s a bunch of songs, like
Sacramento is Dead is about like growing up with the same shit everyday
like people telling you, you’re not going to be anything. We all grew
up in shitty cities like our bass player is from Bakersfield, I grew
up in Sacramento it doesn’t really seem like there’s to much hope
or promise. I’ll go home from tour and I’ll see kids I knew from
High School, they’re driving BMW’s, going to college full time,
and that’s cool but your still stuck in the same city with the same
shit everyday so it doesn’t really mean anything to me, you know?
A lot of stuff is about where we’re from, because it’s what you’re
raised on. “Your god is a fucking prick. It’s your religion that makes me fucking sick. God doesn’t exist. You’re force fed all of these lies. You need to fucking realize god doesn’t exist.” What are your views on religion and spirituality? I’m not a religious person by
any means, I feel like there is no god or higher authority on my life.
When I die I’ll rot in the ground… You’ve been touring a lot lately, How has that been for you? It’s been awesome we’ve gotten
to see a lot more than I thought I would ever see, we’ve been to Europe
twice now. Going to Japan in January and Australia in April it’s been
like a blessing to see so much shit and be playing music that we wrote,
punk songs around the world to people that want to hear them, it’s
pretty fucking mind blowing. (laughs) It’s awesome. What’s the food like on the road? Does it end up getting pretty expensive? We try to keep it to five dollars
a day, we either go to like CC’s pizza all you can eat or go to waffle
house, or taco bell. Try and get the dollar menu as much as we can,
not really eating out to crazy…steal a lot of groceries. What color is your toothbrush? Blue Anything you’d like to add… Check out Rotting out, Never Healed, Sabertooth Zombie, Northern California Bands and Southern California bands. Violation, Now and Again, Take Offense, Just fucking support your local scene and go see local bands. (top)Reviews
DISFEAR – Live The Storm LP We were all floored when we first
heard Misanthropic Generation. This is the long-awaited
follow up LP, and I must say, it sucks. Maybe I had my hopes up,
but their last LP kicked so much ass that I don't think even they could
top it. However, I still expected it to at least be pretty good.
Maybe I should listen to it more, but other than the first song I thought
90% of the riffage was boring and uninspired. Sounds like they
just didn't try. Like I said, I should probably give it a few
more listens just to make sure, but for now, it's not a priority.
Bummer. -Zack DOLDRUMS *¥ "S/T"
(Bad People Records) HARNESS – Prepare For War CD EP (self released) I saw this band at The Satyricon
one night, they were the first band of a metal show. Usually I
hate the metal shows but I was working so I didn't really have a choice.
These guys were really good. It was full on thrash metal.
I'm a sucker for thrash metal. But this CD was a disappointment.
It sounds way more death metal than thrash metal. I think it sounds
a lot like OBITUARY. Don't get me wrong, that shit rules too.
But I really had my hopes up for good thrash metal when I put this on.
It's actually pretty decent for what it is, so as of now I'm still giving
it thumb up. Oh yeah, they're from Salem. -Zack KAKISTOCRACY – An Apology 7” This Asheville, NC band has been
around for a long time now, somebody told me it's been something like
10 years! They've gone through a lot of line-up changes but to
me it still sounds like epic crust. Actually, if I may, I'll say that
it kind of really sounds like FROM ASHES RISE. Hey, that's just
me. It's dark, heavy crust with bouts of raging d-beat and dynamic
change-ups. The performance is a little sloppy so sometimes the
sudden changes aren't very tight and that can catch you off guard, but
this is a good recording so it all comes around to balance out.
I like this record. My friend put it best when he said, “you
know a record is good when the second-best song gets stuck in your head.”
Check it out. Brickwall. -Zack ORDER OF THE VULTURE – Death Disciple (Aborted Society) All I have to say is FUCK YEAH!
I have been waiting a millenia for this album to see the light of day...
and I can say it was worth the wait. This LP features 6 cuts which as
black as million moonless nights. A lot of the tracks have some awesome
sample work courtesy of Set Sothis himself. The music is what you would
expect from Vulture - very heavy and blazing nightmare fast. The vocals
definitely shine through on this LP where as on the first LP I felt
like the reverbs and delays sometimes got a little out of hand, it was
refreshing to be able to hear those bellows and screams, pretty much
putting every new black metal band to shame. The cover artwork is pretty
wicked – a priest shooting up his hypocrisy with a cross. The insert
layout is polluted with archaic imagery and features a manifesto of
evil and very descriptive backgrounds of the songs. To put it blunt
this is the the definite holiday gift. - Deterrorsean PS
– If I may butt in here I'd like to add my own support for the cover
art. This is possibly some of the most wicked bad ass killer cover
art I've ever seen. There's a decrepit guy shooting up a cross
and right behind him in symmetric form is a dark, skeletal figure lurking/emerging
in the dark -both set apart by a wall which the you is see down the
middle. It's just such a great concept alone and to also create
the artwork yourself -and do such a good job of it- is fucking brilliant.
Cheers JJ! -Zack PANTERA – Power Metal CD/LP (self-released in 1987) So most of you probably don't know
that before PANTERA became a tough guy band, they were a mondo glam
metal band, complete with big hair and big jewelry. Their first
album was not Cowboys From Hell, as they would like you to believe,
it was actually called Metal Magic and it came out in 1983.
They went on to record three more glam/butt rock albums before they
became tough guy. The best of these is called Power Metal.
It's probably the best thing PANTERA ever did. It sounds like
they really wanted to be like MANOWAR, JUDAS PRIEST, KISS, and IRON
MAIDEN. Lots of high screams and noodle guitars. So if you
like cheesy butt rock glam metal like the those bands, you'll probably
really like this. I found it on Soulseek, but the CDs are on Ebay
for wicked cheap. -Zack SALTED CITY – Demo CD Wow. Where did fuck did this
band come from? Here? Holy shit. This great band just
suddenly appeared out of nowhere in the Portland scene! This is
mid/fast paced, energetic d-beat/hardcore punk! It's got Ginger
(well known from Call the Police) blasting some killer, high-energy
vocal destruction. This is apparently just a demo recording but
the tones and loudness really amp it up to a quality well above many
other punk bands' official records. Seriously, it sounds really
clean and loud, and the energy is right there too. This is an amazing
demo. You really gotta check them out. Hopefully we get many more
years to come! -Z SAMOTHRACE -
Life's Trade (20 Buck Spin) whatever you have, this record
stands alone. Plus, it comes in a nice gatefold sleeve and has cool
art by David D'Andrea. Check it, you're friends will like you more.
-Count Foggula STORMCROW/MASSGRAVE – Split LP (Agipunk) An epic release by two of the leading
crust crushers! As usual, MASSGRAVE comes storming in at full
throttle, delivering a gut-wrenching whirlwind of blast beat/d-beat
crust core like EXTREME NOISE TERROR used to do. This time I noticed
the lyrics were a lot better than their LP, it seems much less juvenile.
MASSGRAVE kills it every time, they are so good at what they do, and
they're relentless like a punch in the face times infinity. STORMCROW
comes in with what seems to be their usual formula, fade-in distortion
into crushing slow ultra-heavy guitars, then they pick it up a bunch
and eventually go d-beat, heavy as fuck d-beat, then slow it down again.
Back and forth. STORMCROW might be my favorite current crust band
but I am definitely starting to notice a pattern in their songwriting.
They branched out a little on this one though, it ends with an awesome
clean guitar that plays a very ominous, dark pattern with the rest of
the band doing their own thing underneath. This part gets dragged
on just long enough to put you into a trance and then it builds up to
the end. Killer. -Zack WAKE UP ON FIRE/NUX VOMICA – split LP (Aborted Society) After hearing a few qualms about
this record, I decided to pick it up and give it a review. I can say
that I was pretty impressed by W.U.F., though I feel I am a little behind
in getting into that opinion. For those of you who aren't familiar with
W.U.F., some of the members went on to play in some of my favorite Baltimore
transplant bands - 57 OCTAVES BELOW, NUX VOMICA, etc. The songs on their
side are very dark, mainly in the self despise/societal rejection mold.
The vocals vary from female shrills to burly dude vocals, while the
guitars are drudge and sway from classic crust to some very minimalist
parts so much so I am unsure if the first track was suppose to have
a guitar drop off or if that was a kept mistake. One complaint from
the sound is that I feel like the cello was not represented as good
as it could of been. On the flipside NUX VOMICA finally releases some
of my favorite songs, though I feel like this recording does Nux very
little justice, especially after basking in their glorious A Civilized
World LP they released last year. I can honestly say that I was
not really into Just Dave's vocal styling at the begining of the song
“Drunk on Freedom” but overall songwriting as well as the musical
structure keep the song strong. Overall this LP is definitely worth
the run through a 3.5/5 punk! - Deterrorsean |
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