Issue #45 April
Tristan Anderson

Enduring Freedom

Hepsi Interview
From the Ashes
Book Reviews

Music Reviews
Archive


 Tristan Anderson
Tristan Anderson, 38, an American citizen, was critically injured on Friday, March 13, by Israeli troops during protests against Israel's Wall in the West Bank village of Ni’lin. He was hit in his forehead by a new type of high velocity, extended range teargas projectile, and has been transferred to Tel Hashomer hospital, near Tel Aviv. Tristan has suffered numerous condensed fractures to his forehead, and sustained life-threatening injuries to his brain, as well as to his right eye. He is expected to undergo several operations in the coming days, in addition to the one he underwent on Friday.

Anyone wishing to contact Tristan's parents with messages of support is encouraged to write to Support.Tristan@gmail.com 

March 22 update: There has been some deterioration in Tristan's condition over the weekend, and he had had to undergo two more emergency brain surgeries due to elevated cerebral pressure. Tristan's condition is now once more defined critical and unstable, and he is fighting for his life. Tristan's parents and lawyer will hold a press conference in Jerusalem tomorrow afternoon.

March 17 update: Tristan's parents are now in the hospital with him. He is once more connected to a respiration apparatus and heavily anesthetized - not due to any complications in his brain injuries, but to a difficulty breathing caused by Pneumonia.

March 16 update: Tristan was winded of artificial respiration today, and is now breathing on his own. The doctors are also now gradually lowering his anesthetics, but regaining foll consciousness may take weeks. Tristan's parents are expected to arrive in the hospital today.

March 15 update: Tristan's anesthesia was shortly reduced to preform a serious of tests by his doctors. In those tests he was able to respond to an order by the doctor by moving his two of his right hand fingers. He is still respirated, and was put back under deep anesthesia. A demonstration in front of the ministry of defense was held in Tel Aviv today in support of Tristan and the Palestinian struggle.

SEE: www.awalls.org for more updates and video footage.

In the past six months, Four of Ni’lin's residents have been shot dead during demonstrations against the wall on their land. Ahmed Mousa, 10, was shot in the forehead with live ammunition on July 29, 2008. The following day, Yousef Amira, 17, was shot twice with rubber-coated steel bullets, leaving him brain dead. He died a week later on August 4, 2008. Arafa

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Enduring Freedom

By William Rivers Pitt, Turthout Columnist

There was the battle of Mazari Sharif, and the battle of Qala-i-Jangi, and the battle of Tora Bora, and the massacre at Dasht-i-Leili, and the Tamak Farm incident and the slaughter of a wedding party in Uruzgan Province.

There was the Damadola airstrike in Pakistan made by US forces, and there was the Battle of Lashkagar, and the battle of Panjwaii and the Shinwar massacre. There was the battle of Chora, and the Baghlan sugar factory bombing and the battle of Musa Qala.

There was the Kabul Serena Hotel attack, the Kandahar bombing, the Gora Prai airstrike, the Sarposa Prison attack and the bombing of the Indian embassy. There was the battle of Wanat, and the Uzbin Valley ambush, and the Azizabad airstrike and the Angoor Ada raid into Pakistan again.

There was Operation Anaconda and there was Operation Red Wing. There was Operation Mountain Thrust, and Operation Medusa and Operation Mountain Fury. There was Operation Achilles and there was Operation Eagle's Summit.

All of this was, and remains, Operation Enduring Freedom. All of this was, and remains, America's war in Afghanistan.

Our war in Afghanistan began almost 3,000 days ago, on October 7, 2001. Our war in Afghanistan has lasted longer than World War I, World War II, the Civil War, the Korean War, the first Gulf War in Iraq and the second Gulf War in Iraq. If we are still fighting in Afghanistan a year from now, the war will have lasted longer than the American Revolution. Children who were born on the day the war began are now halfway through grammar school.

All the bad economic news and the turmoil in the financial and housing markets have America looking inward these days. We rarely hear anything about Iraq anymore, and even less about Afghanistan. For the record, and to bring everyone up to speed, the following events have taken place in Afghanistan during the last 72 hours.

Taliban fighters killed nine police officers. Three Australian soldiers were wounded. Pakistan's intelligence service was accused of aiding and abetting the Taliban in southern Afghanistan. Two Afghani farmers were killed by NATO troops. A bomb killed ten civilians in eastern Afghanistan. A Canadian woman held captive by the Taliban was made to plead for her life. Two separate bombings in southern Afghanistan killed 11 people.

All told, it's been a quiet week over there. That is about to change.

President Obama will soon be announcing his administration's plans for the future of our conflict in Afghanistan. Reportedly, this announcement will include the deployment of 17,000 more US soldiers Obama promised during the campaign, and will also reportedly include the deployment of an additional 4,000 troops, as well. "President Obama will deploy as many as 4,000 additional U.S. troops to Afghanistan, beyond the 17,000 he authorized last month, as trainers and advisers to the Afghan Army, according to a senior Pentagon official who has seen the new Afghanistan-Pakistan strategy Obama will unveil Friday," wrote The Washington Post.

"Since the United States invaded Iraq six years ago," reported the Christian Science Monitor on Thursday, "its attention, effort, and military know-how has tilted toward the Gulf. Perhaps as soon as Friday, President Obama is expected to shift that focus, announcing a new strategy for Afghanistan and the neighbor with which it is entwined, Pakistan. Yet the challenges presented by Afghanistan are an order of magnitude greater than they were in Iraq - involving a state with virtually no rule of law, a government rife with opium-fueled corruption, and an insurgency spanning two nations and entrenched in some of the world's most inhospitable terrain."

"President Barack Obama insisted on Sunday that military force alone would not end the war in Afghanistan," reported Reuters on Sunday, "and suggested a U.S. 'exit strategy' could be part of a new comprehensive policy he is expected to unveil soon. Obama, in an interview on CBS's '60 Minutes' program, previewed in broad terms his administration's review of Afghanistan-Pakistan strategy based on recommendations from senior U.S. officials and consultations with allies."

For the last seven years, the war in Afghanistan has been a collective effort shared among the United States and several other countries by way of NATO. That also appears to be changing soon. "After years of often testy cooperation with NATO and resentment over unequal burden-sharing," reported the Washington Post on Thursday, "the United States is taking unabashed ownership of the Afghan war. Even as the U.S. military expands its control over the battlefield, the number of American civilian officials will also grow by at least 50 percent - to more than 900 - under the new Afghanistan-Pakistan strategy Obama will announce as early as tomorrow, according to administration officials. American diplomats and development experts plan to spread into relatively peaceful western and northern regions of Afghanistan that until now were left to other NATO governments. New U.S. resources and leadership also will be brought to bear over critical issues such as counter-narcotics efforts and strengthening local government institutions."

"The Americanization of the war is visible in the turbulent south," continued the Post's report, "where the regional NATO command, led by a Dutch general, with Dutch, British, Danish and U.S. troops, faces the primary Taliban threat. Most of the additional U.S. troops will deploy there, and dozens of C-130 transport aircraft land at the Kandahar airfield every day with pallets of supplies. In a dusty parking lot not far from the main runway, more than 200 Mine Resistant Ambush Protected vehicles, or MRAPs, await the supplementary U.S. troops. When they arrive, there will be more American personnel at the Kandahar base than at the current largest U.S. facility - at Bagram, north of Kabul, the capital. 'This will become an American headquarters,' one non-U.S. military officer in southern Afghanistan said of Kandahar. 'They're going to have almost three times as many troops as any other NATO member here. And that's going to mean they'll be in charge.'"

Is the Obama administration simply working with the hand it was dealt by George W. Bush, or are the same Bush administration mistakes about to be committed all over again? Norman Solomon, writing for Truthout on Tuesday, noted, "We desperately need a substantive national debate on US military intervention in Afghanistan and Pakistan. While the Obama administration says that the problems of the region cannot be solved by military means, the basic approach is reliance on heightened military means. And so, with chillingly familiar echoes, goes the perverse logic of escalating the war in Afghanistan. 'Strategic patience' - more and more war - will be necessary so that those who must die will not have died in vain."

However this all shakes out, one thing is certain: Both the United States and Afghanistan are likely going to be Enduring Freedom for a long time to come.

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Hepsi Interview with special guest JJ

<<<Names, Instruments, Ages >>>

Ryan, Bass, 23

Jason, Guitar/Kickin Ass, 23

Benji, Drums, 41(-10)

Mike, Vocals/guitar, 22

<<<What is your common element? Why did you come together?>>>

Ryan : How else are we gonna be revolutionary without a band? We didn’t hear any other band that was singing what we wanted to hear.

Jason: I like that fact that we can write songs that will give us all the same feeling. Like we could kick the shit out of each other in a mosh pit, but yet pogo like hell in the same three minutes.

Ryan: It would be badass in a skate video too.

<<<Oh, do you skate?>>>

Jason: Well Ryan and I have been skating for years. But he *points to Mike* dropped out a long time ago. But Ryan and I still skate. Benji used to skate too.

Benji: Yeah I used to skate. It was my first love. But I had to give it up and go to drums because I blew my knee cap out.

Ryan: Yeah. You can’t stop us.

<<<Influences? Musically or otherwise??>>>

Jason: Kakistocracy, Choking Victim, Leftover Crack, David Hillyard & the Rocksteady 7, Crimpshrine, a lot of east coast and Berkley style fuckin just ska punk. And like I said, something that’s really crusty but still has an upbeat part of the song.

Ryan: Tim Armstrong is my main influence. Anything Tim Armstrong… Rancid or The Transplants.

<<<Uh…. I had a lot of questions in my head… buuuuut I forgot to write them down…*JJ hints “Where does the name come from?”*>>>

<<<Oh yeah… So who has Hep C? *Laughs hysterically*>>>

Everyone laughs…

Jason: Well we got the name Hepsi because Mike’s dad died from Hep C because the government cut off his Medicare. And he couldn’t afford treatment.

Mike: Yeah… that slower ska song we have called Medikill is about all of that shit, involving the social security program and pretty much my first hand experiences. They use people that are really really sick and on their death bed and make it almost impossible to get into the program. And the government is fighting them and making it really hard to help them to get into the program by going against them.

*Benji and JJ are shooting each other with capguns*

Mike: It’s like the statistics, all of these people are dying and if they can’t get their benefits back the government just gets to keep the money. The money these people have been working for all their lives doesn’t go back to their families or anything. Instead it goes to all the wrong places where the government deems necessary.

Jason: The number two reason for the name is it is spelled like “Pepsi” but with an “H”. It’s to label big business conglomerates for the disease that they are. Because all it’s doing is infecting general America with inhibitions and influences that are going to make people spend money on shit that is killing them and they don’t even realize it.

*JJ: Nobody drinks pepsi anyways… heh*

<<<When did you all come together as a band?>>>

Jason: Back in 2005 the band was known as The Crude and I was brought in by Mike as a replacement guitar player. We played as The Crude for about a year… played a few shows. Then we changed our musical style and changed into Hepsi.

Ryan: Well I came in and said if I’m going to be in your band you better change the fuckin name… heh…

*Everyone talking over everyone else… blah blah blah… inaudible chatter… mumbo jumbo*

Benji: I came in about eight months ago.

Mike: Our old drummer just started flaking out.

Jason: This band has been together for what… about 3 years? I think actually our band and Benji’s old band played together one time.

Ryan: Yeah yeah at the Albina…. Albino House? *laughs*

Jason: The Pink House? I like that place. I like their beer.

<<<Who writes the lyrics for the band?>>>

Unanimously: Mike.

Jason: Mike writes pretty much all of the lyrics and half the guitar. And I write the other half of the guitar.

<<<So what are your favorite lyrics and what inspired them?>>>

Jason: The one thing that really sticks out to me is um the main lyric from the song Think For Yourself which is “what would jesus do if you thought for yourself?”

Mike: Attacking religion in a sort of socio political kind of way. Trying to recognize jesus and Christianity as not really being so much of a religion anymore, but more of an institution. And being critical on what Christianity has become.

Jason: Right because the whole fucking point of Christianity is not to follow somebody’s cultist ideas, but to find righteousness.

And I was raised Christian, but sometime during my teenage years when I was… homeless… I woke up at like 6 in the morning at a Buddhist temple downtown and they took me in for a few days. So I spent the next few days with them, and they talked to me about all their ideals… I’m not religious… and I’m not a Buddhist but I definitely have strong beliefs in some of their ideas.

<<<Do you have a message?... for jesus?... haha just kidding… What’s Hepsi’s message? (to jesus)>>>

Ryan: My message is that… I’m here to rock... I’m just here to rock (for jesus). Um… and afterwards I’m ready to fuckin… just keep going.

Mike: Generally a message I’d like to get across just to fucking Portland is to get it’s head out of it’s ass. And just enjoy itself a little bit more. Kinda… kinda… (jesus says spit it out god damn it) just celebrate more diversity with the punks. Most of the kids are just into their specific scene and their type of music and they just shun everything else.

<<<So generally what’s your opinion of the Portland punk scene?>>>

Mike: You know, what I think of the Portland punk scene is that there is a lot of work to be done.

<<<What types of changes would you suggest?>>>

Mike: There should be a lot more shows where every band is a different type of music.

Jason: That’s why I liked the show at Rature so much because there were probably 40 bands…

Benji: Yeah that was fun!

Jason: I’d say 75% of the bands were different styles.

(ah.. I see.. jesus must have possessed the other 25% to conform and be similar.)

Benji: Yeah I’d like to see more diversity at shows instead of all the same shit.

Jason: That’s why I say compost pile. Because a lot of the styles of music people have been into for so long begin to warp into one big mound. People live off of that for the first ten years they are into that type of music. But what does compost do? It helps bring life into plants. The same can be said about musical styles. Things crawl out of the mound… Nutrients… to influence new styles.

Ryan: We’re trying to bring new style to Portland.

(and jesus.)

Mumbo jumbo… drunken babble….

<<<Where are you headed as a band?>>>

Ryan: STRAIGHT TO THE TOP!!

*extreme laughter*

Jason: We have all sorts of people from all over the world hitting us up on the internet asking when we are going on tour. So one of my biggest goals for this band is to travel. I’m hoping within the next couple years we will have our shit together enough for that to happen.

JJ: What about the fact that you guys aren’t a D-Beat band?

Mike: Oh so we’re just not going to make it, huh??

JJ: Well there’s a huge D-Beat scene in Portland and you guys aren’t doing that sooo….

Benji: I like that man. I really like that actually.

Jason: Oh is that why….? I guess I have to get a shoelace headband…

*more extreme laughter*

Jason: Yeah I gotta put soap in my hair and get a shoelace headband.

JJ: Fucked if it rains. *chuckles*

Jason: Sorry I like to be able to see when it’s raining….

Ryan: Uuuuugh.. I got soap in my eyes.

<<<If you guys were to be interviewed by someone famous, who would it be?>>>

Jason: Carson Dailey… No… FUCK Carson Dailey. Conan O’Brien.

Ryan said Daisy Fuentes …something about a penis but edited out by… you guessed it! jesus.

Final Thoughts:

The gutter is the penthouse of the sewer. We live upstairs.

~Sick and delirious Consuela deleted some of the interview thinking it was possessed by jesus… But look out for Hepsi’s recently recorded DEMO and upcoming full length album within the next few months. Check out their band page for their calendar worthy benefit show in March.

cough cough…. Satan?


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Terminator: From the Ashes

By Timothy Zahn
317 pages of  pure escapism

This is the prequel to the highly-anticipated new film chapter of The Terminator series, originally conceptualized by James Cameron, called simply Terminator: Salvation. The new trilogy will occur in the future to portray the war against the machines.  I wondered to myself, man, should I even be reviewing this?  Well I am, because the punks are obsessed with the apocalypse, and the apocalypse envisioned in Terminator world is my personal favorite version, even over the zombie apocalypse. 

Set in Los Angeles, the story takes place about ten years after “Judgment Day”.  For those of you who don’t know, “Judgment Day” was the term given to a nuclear war instigated by Skynet –a new and highly intelligent computer designed by the US military as the primary operating system for the entire US military defense network.  Prior to Judgment Day, Skynet began learning at a geometric rate (see geometric progression, e.g. 2, 6, 18, 54…) and eventually became self-aware (i.e. artificially intelligent). Originally, Skynet had been programmed to operate the US defense network because its superb ability to coordinate the entire massive defense grid while supremely out-strategizing its opponents.  Once self-aware, however, Skynet had determined that only it should be protected from all humans.  Utilizing the resources it had been entrusted, Skynet unleashed a nuclear assault on Russia, thus correctly anticipating the ensuing nuclear war that would wipe out 90% of all human life.

Well, we all know how a nuclear war probably ends.  So the post-Judgement Day world consists of a few human survivors hiding under the wreckage in fear of Skynet’s “Hunter-Killer” machines that patrol the skeletal remains of every major city in the world looking for human survivors.  The flashbacks (flash-forwards, whatever)  we’re accustomed to seeing from the previous movies take place about 20 years after the war started, whereas this book is set only about ten years afterwards.  This being so, we learn that Skynet hasn’t built its army up completely, it only has the resources to cordon off sections of a city and then decimate all humans detected therein.  Likewise, Skynet has yet to build the much larger “HKs” we’ve seen in the previous movies, and Skynet has also only built the original line of Terminators, called T-600s, which have rubber skin instead of the organic tissue on the later models. 

John Conner, the future leader of “The Resistance” against the machines, is in Los Angeles leading a rag-tag group of guerillas against Skynet’s death machines.  His group is aspiring to be assimilated into the official Resistance – a federation of small resistance groups loosely networked under one central command- and John’s group is in a probationary period.  Thus, they have to prove to central command that they are a serious and effective group, not just a bunch of irresponsible jokers.  John and his group have been fighting for a long time now, and they all know each other very well.  The character development at this point is nothing special, it seems written quickly and carelessly to hurry the reader on to the action, which Zahn delivers very well later. 

John and his group are going to raid a Skynet warehouse while its death machines are out killing off a neighborhood.  In this neighborhood is where we are introduced to the young Kyle Reese, a to-be central character in the Terminator series.  The whole second half of this book is just one long action scene.  The action is a real page-turner too, although it does seem to be written in a hastily and fairly less-than-passionate tone.  Nevertheless, the book reads fast and keeps your mind flowing and full of anticipation.  The long action sequence, when finished, doesn’t really seem as long as it should for how many pages it consumes, which is a sign of good writing.  During the action the reader is excitedly following four to six different perspectives of the battle each step of the way until the end.

Although the action was fun, Zahn should have taken more time to develop this story, along with its characters.  The whole tone of the book is okay, but it seems as though he was not as passionate about the world of Terminator as he was just doing his job, which was to fulfill his contract to write a prequel, even though he was granted a great opportunity to create and write an official part of the Terminator story (there have been many unofficial spin-offs).  For that reason, the book could have been a lot longer.  I wouldn’t want to omit anything from the book, just add more descriptive elements here and there.  Had everything been developed more, it would have been longer but much more beautiful and descriptive.  Not always, but much of the time we are left to wonder what the characters look like, are wearing, facial features, body language, etc.  Also, the scenery could have been a lot more descriptive.  The scenes of cities long kept in ruins and the wreckage of a nuclear holocaust was one of the more fascinating aspects portrayed in the movies, and this book finds it lacking.  I ‘m not saying I could have done a better job, but I wish I could’ve helped coach him through some parts.  Perhaps Zahn was asked to keep it short and sweet by the publishers and Hollywood executives, you know, because it’s just another marketing product. 

But when all was finished, I still thought it was pretty fucking awesome.  -Zacrilege

So, as long as I’m being critical, the future world of Terminator raises some serious questions:
A.What would the average life-span in a post-nuclear holocaust world be?  What would physical after effects be like for survivors?  After the radiation begins to dilute into the atmosphere, can we assume that human side-effects would occur less often but perhaps be encoded genetically?

B.How would the planet’s atmosphere and life-sustaining resources be effected (i.e. rain)?  Would the sky become permanently blackened or darkened from debris and smoke circulating in the atmosphere? 

C.Perhaps rats and cockroaches would survive and provide as an ample source of food, as portrayed in the films and books, but where are the water sources?  Surely not enough bottled water would remain to sustain human life.

D.If there were water sources, which there would have to be, wouldn’t Skynet be smart enough to deduce that humans cannot survive without it and thus set up shop next to every available water source?  Because even if humans knew Skynet was there waiting for them, they would have to come out of hiding and risk death for water or else surely die of dehydration –pure human desperation for water would guarantee Skynet would utilize this strategy to ensure an easy victory over humans.

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Book Reviews by Lacy

Igniting a Revolution: Voices in Defense of the Earth
By Various Artists (Including authors such as: Derrick Jensen, John Zerzan, and Ann Hansen)
Edited by Steven Best and Anthony J. Nocella, II
441 pages
AK Press

Igniting a Revolution initially introduces the reader to the history and nature of revolutionary environmentalism. Starting with the first mention of the term “deep ecology” by a Norwegian guy named Arne, it painstakingly follows the history of the environmental direct action movement through to the ALF and ELF movements that are happening today and touches briefly on Eco-Feminism and AIM. With an arsenal of great authors (some of which have actually done the shit) this is a well rounded, albeit long and sometimes repetitive, pretty fuckin’ good book. The best part about this book is it’s broken down into seven understandable sections and you can pick and choose what you read. However, with the good there’s also some shit in it that really hurt to read, and I feel it was most likely put in there as a security measure for the book to be printed. I really don’t want to be told about my fucking carbon footprint anymore! I don’t drive and sure as hell don’t have heat on during the winter so eat a dick! But if you rip out the crap parts, you got yourself a good book. Read it, you’ll learn something.

The Revolution of Everyday Life
By Raul Vaneigem
Translated by Donald Nicholson-Smith
279 Pages
Left Bank Books, Rebel Press

Situationist International. Need I say more. Don’t know what I’m talking about? Wikipedia that shit! A lot of modern anarchist writers (I’d venture to say probably some Crimethinc and stuff like that) have been heavily influenced by this romantic revolutionary writing. Written in 1963-65, Vaneigem clearly states that he isn’t writing this book for anyone, he’s just writing because boredom is counterrevolutionary. A tip we can all use I suppose. Revolution issues a request for all people to start living their lives for themselves on their own terms. Rejecting the Marx environment that this thinking stemmed from, the book goes on to tell the reader that you can’t keep living for the “carrot at the end of the stick” making an ass out of all of us. The book urges people to live in the present, fall in love and stop being a cog in the proverbial machine. Makes me want to get off my ass and actually do something instead of read. Only drawback: too many unnecessary words! If you can wade through millions of nouns and verbs etc. you can get great points out of it. So you gotta be patient, or just pick up the cliff’s notes, it might be easier. In summation: good book, read it, you gotta know your roots.


On the Justice of Roosting Chickens
By Ward Churchill
309 Pages of pure fact
AK Press

Picture this: Ward Churchill holding an assault rifle, wearing sunglasses, military fatigues and a black barret, and that’s just the back cover. Inside is meticulously constructed with concise, sickening examples of U.S. military actions waged from 1776-2003, and U.S. obstructions, subversions, violations and refusals of international legality since WWII. This book makes you really pissed off and once you think you’ve had enough it keeps going. A little repetitious at times but only to prove a point: the U.S. and Israel fucking hate Palestine and don’t give a shit who knows about it, because let’s face it; no one will do anything about it anyway. Showing how really ineffective the U.N. is at enforcing anything, Justice of Roosting Chickens makes the reader give up any hope they ever had in the whole system. (Like we had any to begin with.)

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Reviews

AGAINST EMPIRE/ AUKTION – split 7” (Threat to Existence, Rust and Machine, Sysdumb Records)
Well you all should know LA’s AGAINST EMPIRE by now.  This band has been cranking out crust punk for several years now.  Gradually they’ve gotten crustier and less “anarcho-punk”.  That may have something to do with member changes that used to plague the band but they’ve had a solid line-up for a good while now and the music they’ve been writing as a trio has been, in my professional opinion, some of the best crust punk out there.  And I mean everywhere. It’s a solid recording and it’s fucking heavy, catchy crust punk.  Everything about it is awesome, this record lines up just perfectly with their brilliant and amazing previous 2008 EP Destructive Systems Collapse.  It even sounds like it’s from the same recording session.  Now that I’ve hyped the band, let me hype the guys too.  These guys pour their fucking hearts out into the scene.  They lose a shit ton of money throwing together DIY fests, screening shirts, running record stores and putting our other bands’ records.  They are 100% committed to the scene and the DIY punk community and I don’t think very many people give them enough gratitude.  Okay, now on to the next band, AUKTION.  Another awesome punk band from Sweden that complete this unexpected but killer split 7”.  AUKTION are punk as fuck rock and roll d-beat mayhem.  Previously, they put out a split with the silly punk band BLACK PANDA as well, which was catchy as fuck and both sides sounded a lot like SKITKIDS to me.  But AUKTION sounds a lot less goofy and more down-to-earth on this recording, playing some really catchy but more simplified political punk rock and providing song explanations as well.  I think this is the best stuff I’ve heard from them, I like it a lot.  This split is fresh on the DIY market so go hunt one down!  (Hint: Brickwall has copies, as well as lots of other good shit!)  Killer artwork and poster too! –Zack

ARTERIAL SPRAY – This Is Party Violence demo (pdx)
Thrash metal mayhem spill blood all over this lo-fi demo.  I’ve seen these guys before and they’ve been getting it going for a while now, with some line-up setbacks, but finally cranked out a demo.  And a decent one two, but of course, demos rarely live up to the live shows.  So for what it is, it’s good.  Live, they got some sick thrash riffs and attack vocals.  This is a fun fucking band and they won’t disappoint.  These guys should’ve done the soundtrack for Deathwish 3, (starring Charles Bronson), except in this version the punks win.  Remember the shitty cop movies from the 70’s and 80’s?  They used to make street gangs out to look like neon cyber punks bearing switchblades, chains and maces for weapons.  If these gangs were actually real, say, like, in East St. Louis or something, these gangs would listen to ARTERIAL SPRAY while impulsively setting cars on fire and surrounding their unsuspecting victims from rooftops.  Up the fucking splatterpunks!!! Yeah, in other words, I like this band quite a bit. –Zack purpose

THE CYSTS – Destroy Masters  tape
I love this band live, so naturally I assumed the recording wouldn't do them much justice. I was proven wrong upon first listen. Its raw, lo-fi, pure live energy imbued abandon. They play straight noise punk in the vain of Alarmist, The Jesus Lizard, or Man Is The Bastard. The tape leaves you wanting much much more. Check this band out, goddamn it! - SoundguyJoel Sent on the Now Network from my Sprint® BlackBerry

DOGSHOLYLIFE – 44 Weeks/44 Questions (dethkills)
Well, holy shit.  This record owned my record player for about a month or two.  It really didn’t come off very often, it’s fucking crisp.  This band is starting out with a very strong HIS HERO IS GONE core sound, but they’re trying really hard to reach out of the confines of regular crust to do something a little different.  Most of it sounds just like I said, d-beat –ish, heavy, dark, with HHIG overcast.  But then they hit you with some weird chord structures and a few surprises that really make you wanna freak out hard and jam a pitchfork into something or pick up some kind of blunt object and smash something over and over.  Wow, what a great record.  This is the best new crust band on the West coast, although BLOD ROTT (Santa Rosa)  and BARREN (L.A.) are going to put up a good fight if and when they ever get past the demo phase. But rumor has it there’s another crust monster emerging from Boston known as MORNE.  We’ll have to wait for the epic battle of east versus west, but for now, DOGSHOLYLIFE has the west coast title.  Best new crust band!  Love this shit!  The record I got was worth every 800 cents, but I would’ve gladly given more since the hand-screened artwork is so beautiful.  They got two guys from AGAINST EMPIRE in them. -Zack

ETACARINAE - ??? (Self-released) Barcelona, Spain
Yeah, seriously, I can’t discern what the name is this album is, not just because it’s in Spanish but because I find the lettering to be illegible.  However, the fucking music kicks ass.  It’s totally Spanish crust all the way through and through.  Sounds exactly like DOWN TO AGONY, in fact, I was even wondering if they shared members.  But they didn’t say so when I asked, however we had a hard time communicating.  So yeah, back to the music, it’s heavy as fuck, dark and melodic d-beat.  This is the core recipe for most Spanish crust, and it is also my personal favorite flavor of crust punk: heavy, dark, d-beat, crust.  The recording didn’t quite translate 100%, I’d say it’s at about 85%, but when you’re that heavy and also working with a DIY budget, you don’t always get 100% satisfaction.  Nonetheless, I was blasted through the walls when I saw these guys in Chico and LA, and I’ll probably never see them again so I’m really excited I grabbed this piece of Spanish crust history to remember them buy and I’m stoked on this record.  You’ll have a fuck of a hard time finding it anywhere in record stores but I’ll have it on my soulseek profile for download by the time you read this.  (Soulseek username: thedefector)  FUCK YEAH! –Zack

KNELT WROTE - Self Titled (pdx)
The first album from this new grindcore/noise/d-beat/anything heavy P-town band. The album comes in very cool white colored vinyl, always a plus to have colored vinyl for us record junkies. Musically, they mix equal parts harsh noise, slow/heavy epic doom, and extreme blast beats all within one song with seamless changes that flow together naturally. This is a great album that I would recommend to any fan of the aforementioned genres. – SoundguyJoel

NEEDLES - Twisted Vision  7"
This is probably my favorite seven-inch i picked up in 2008.  Every last quivering little morsel of this record is good.  I would even say it's just about perfect!  Great cover art screened onto one black piece of card stock done in a flashy looking sparkly ink.  The lyrics are screened on the inside with a neat reverse effect in the center and the back cover is left simple with just the band name, song titles, and record label (Lengua Armada). The record itself also looks great in black vinyl and red and orange print on the center label, not to mention a very menacing rat/crow type thing lurking on side A.  Musically, this is made up of individuals who have been at it for years in the hardcore punk scene.  With members from Talk is Poison and Martin Sorrondeguy's unmistakable screaming, it doesn't take much to deduce that the music contained within is gonna be fast, heavy, and desperately pissed.  And that it is!  Once the needle hits you get a full on attack from start to finish, which then comes too quick.  When its over, I'm left sitting there all riled-up then cut-off like a spoiled little brat who just had his sugar yanked away.  I demand more!!  Full length soon please?!! - dan squawlor

THE MAKAI/ATTACK OF THE MAD AXEMEN – split 7” (Subject to Suffering, Flowerviolence records, Institute for Mentale Hygiene, Kill or Be Killed)
THE MAKAI have managed to breach the confines of the vortex surrounding the restive Chico, California community and are one of those pounding-in-your-face metal/crust/metal bands that just keep getting better and better.  Like that TV show The OC, it just keeps getting hotter and hotter!  Anyways, they prepared some special new songs for two splits they had coming out, and this is one of them, and god dammit, it’s special.  This might be the best shit I’ve heard from them yet.  It starts out like you would expect, fast and a little grindy, with those signature scream/crust/growl blend of vocals, but then all of a sudden it gets real melodic and almost d-beat, and then it drops the distortion and does some sweet drum-driven clean guitar stuff, then picks up the disortion and finishes off nice and melodic, heavy and epic epic epic.  I’m jealous of something about this band but I can’t figure out what it is, maybe just the whole awesomeness of the song.  On the flip-side, we have one of Germany’s most silly and fantastic, yet bizarre and crazy metal/punk/grind bands called ATTACK OF THE MAD AXEMEN.  Four songs on one side of a 7”, yeah, you get the picture.  It’s fucking heavy, fast and loud.  Sound like fun to you?  Well then you gotta see them live, it’s apparently even more fun.  Rumor is they got these crazy costumes of something like turtles and frogs and puppets and shit, I guess it’s one hell of a show and one hell of a sweet fucking death ride!!!!!  So anyways, if you’re into any kind of heavy grind, get this shit.  It’s like if you were in that dumb movie, The Fast and the Furious, but you were racing them in Machinegun Joe’s car from Deathrace, then you would listen to this band and blast the shit out of all those dumb fuck dipshit jocks that got in your way. The record art and sleeves are pretty awesome too, but you’re gonna have to go get your own copy and see it for yourself because this review is long enough.  –Zack



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