Dispite Blizzard Anarchist
take Direct
Action in Solidarity with Greece
40
people or so marched through downtown Portland streets on a very
snowy Saturday night in solidarity with the insurrection in Greece
and against state repression everywhere.
Chants of "from
Portland to Greece, these are our streets!" and "rain or
snow the police must go!" were met with cheers by many of the
people who were downtown during the blizzard, some even joined the
march with their own chants of "Fuck the Police!"
The
march encountered only one cop who was laughed off when he asked "who
is the leader?". a window broke at a large department store
(nordstrom rack?), and circle A's appeared on on doors and buildings
in the wake of the march.
(top)
Riots Push Greece to the Edge
By
Malcolm Brabant BBC News, Athens
Pulsating
punk rock was stoking up the black-clad army of students outside the
University of Athens, as, yet again, they prepared to march on
parliament.
The Stranglers were singing: "Whatever happened to all
the heroes? All the Shakespearoes? They watched their Rome burn."
The setting was appropriate: the Propylea, as the
university's main building is known, resembles a temple from Greece's
own glorious classical era. All along Panepistimiou, or University
Boulevard, security men in upscale jewellers, boutiques and the
Attica department store, hastily lowered the electronic shutters. The
guards at the Bank of Greece retreated behind supposedly
impregnable bronze doors, and steeled themselves for yet another
assault on the symbols of wealth, prosperity and unbridled
capitalism. Since a policeman shot dead 15-year-old Alexis
Grigoropoulos on 6 December, daily riots are estimated to have cost
the entrepreneurs in the capital more than $1bn.
Economic
crisis
In
among the hooded tops and Arab scarves was a man with owlish glasses
and an immaculate mane of silvery, white hair. Panos Garganas is a
career protestor who has taken part in every annual 17 November march
on the US embassy. That march commemorates the day in 1973 when
tanks of the US-backed military dictatorship smashed through the
gates of the Polytechnic university and crushed a student uprising.
Whether it is a demonstration to support asylum seekers or to
complain about the intrusion of privacy threatened by CCTV before the
2004 Olympic Games, Mr Garganas will be there. He is a member of the
hard left Socialist Workers' Party and is the total antithesis of the
stereotypical rabid Trotskyite: unfailingly polite, articulate, and
persuasively reasonable in his arguments.
I asked him to
apply some historical context to the most serious civil disturbances
in Greece since the fall of the colonels' military dictatorship 44
years' ago. "I think we should see today's developments in
terms of 1989," he replied. "Back then, it was the Eastern
bloc that collapsed under the pressure of economic crisis, and
popular movements in the streets. Now we are seeing the same in the
West."
"The economic crisis is huge and Greece is
showing, I think, the future for what will happen in other countries.
We could say that 2009, 20 years on, will see the collapse of Western
capitalism." I asked him if he was not simply looking at the
recent unrest through the rose-tinted glasses of an old left-wing
romantic.
"Well, yes, of course. I am all of those
things you just said," he replied. "But this democracy is
failing people and the present revolt is much deeper, it will last
much longer, it will affect society much more profoundly."
"It
does mean misery... in terms of people losing their jobs, their homes
and their pensions. There's going to be a lot of suffering. But at
the same time people are reacting, not in a resigned way, but with
anger and with action and that's always hopeful." The unrest
across Greece is no longer an outpouring of youthful anger over the
"martyrdom" of a schoolboy in the Athens district of
Exarchia. As Mr Garganas explained, for many protesters it is now a
vigorous attempt both to topple the conservative government of Prime
Minister Costas Karamanlis, and to create waves across Europe.
European
fears
Further
confirmation came from the mouth of Petros Constantinou, a bearded
firebrand wearing wire-rimmed spectacles that might have fitted Leon
Trotsky. I asked him to justify the burning and looting of shops
belonging to people not remotely connected to the death of Alexis
Grigoropoulos.
"When we have revolutions, we don't drink
tea in our saloons, we have fights in the streets," Mr
Constantinou shouted. So should Greece's European Union partners
dismiss this talk of revolution as being little more than extremist
rhetoric, or is there something more substantial to fear? The riots
have clearly unsettled France's President, Nicolas Sarkozy. He has
postponed plans to reform the curriculum of secondary school pupils
in case they ignite copycat protests.
"In the name of
symbols, they can overthrow the country. They are regicidal," Mr
Sarkozy told the French parliament. "Just look what's going on
in Greece." Dominique Strauss-Kahn, the head of the
International Monetary Fund (IMF), is also deeply concerned and has
advised governments to spend more money in an effort to ease the
global economic crisis.
In a BBC interview, Mr Strauss-Kahn
spoke of 2009 as "really being a bad year".
"I'm
especially concerned by the fact that our forecast, already very
dark... will be even darker if not enough fiscal stimulus is
implemented," he said.
"The question of having
social unrest has been highlighted by journalists and I can
understand that, but its only part of the problem," he added.
"The problem is that the whole society is going to suffer." At present,
the demonstrations across Greece are mainly attracting
students, high-school pupils, veteran leftist campaigners and members
of the so called 700-euro generation disenchanted graduates who are
unable to break through the ceiling of this nation's minimum wage.
The working and middle classes are staying away, perhaps
because of the petrol bombs and tear gas. There is neither a
co-coordinated plan of action, nor a charismatic revolutionary
leader. But Greek trades unions and university students are now
trying to mobilise sympathisers who are watching the troubles on
television rather than participating.
Sleeping
giant stirring
Pay
attention to the old-fashioned, Marxist-Leninist Communist Party of
Greece (KKE). Remember them? Despite the collapse of the Berlin Wall
and the Soviet bloc, the Greek hammer and sickle has never conceded
the demise of its ideology and has maintained a consistent level of
support across the country of about 6 or 7%.
Since 1989, the
KKE has appeared something of an anachronism, but the sleeping giant
is stirring. The communists have been among the more responsible
politicians over the past fortnight, condemning the violence and
exerting tight discipline over their protest rallies. Intelligently,
they are doing their utmost not to alienate the masses, whereas
Syriza, the coalition of the left, supported by younger voters in the
last general election, has been accused of stoking the flames.
Foreign
income
Pay
attention also to Greece's key sources of foreign income next year.
If they fail, then Mr Constantinou's revolution could attract more
foot soldiers. Tourism and shipping each contribute around 20%
towards Greece's national earnings. The sight of smoke obscuring the
Acropolis is likely to deter American tourists doing a grand
Mediterranean tour. The collapse of sterling against the euro means
that British tourists, who help sustain Crete, Corfu, Halkidiki and
other package holiday destinations, may choose to get their annual
sun fix in Croatia or Turkey. The desperation of Greek hoteliers
will be used by British travel companies as an excuse to drive even
harder bargains.
This year, during a break in Corfu, the
owner of a quaint clifftop apartment complex told me that his
colleagues were struggling to break even, as they were only getting
five euros per bed, per night. The crash earlier in 2008 of British
travel firm XL has left scores of Greek hoteliers close to
bankruptcy. Some had been waiting a year for XL to pay their 2007
invoices. The demise of XL will mean that some island entrepreneurs
will lose two years' income.
If you fly into Athens
International Airport, take a look out of the window as you cross the
Straits of Salamis between the port of Piraeus and the island of
Salamina. This is the location of one of what was arguably the most
important sea battle of all time. In 480 BC, the Athenian navy
destroyed the armada of King Xerxes of Persia and thus ensured that
Western civilisation evolved under Greek, rather than Asian,
influence. Today the straits are filling up with dozens of cargo
vessels, rocking at anchor and going nowhere. Their owners can no
longer afford to run them.
According to George Gratsos,
president of the Hellenic Chamber of Shipping, in May of this year,
when cargo rates were at their peak, you could get $235,000 a day for
transporting iron ore. "Now you can barely get $3,000," he
told me.
That amounts to less than a vessel's daily running
costs.
Greek ship owners, who are amongst this country's
richest and most powerful people, can afford to sit on their enormous
financial cushions and ride out the economic crisis. But what about
the 100,000 Greeks who depend on the shipping industry for their
livelihoods? Most middle class Greeks have been working 16-hour days
to provide the bare necessities of life. Many are now facing ruin
through no fault of their own. So how can Europeans stop Greece's
social uprising escalating? Well, for a start, they could help by
taking a holiday in Greece. Whatever the dire threats of the
would-be revolutionaries, the riots are not going to reach the
thousands of idyllic beaches and inspiring archaeological sites.
But if you are coming to Athens in 2009, pack a gas mask with
your bikini, just in case.
Story from the BBC: http://news.bbc.co.uk/go/pr/fr/-/2/hi/europe/7798056.stm
(top)
Elitist Interview
Interview
by Consuela
Band
Members: Taylor, Josh, Joel, Nick. (Interview done with josh)
AH,
OK SO WHERE DOES THE BAND NAME COME FROM?
uh,
elitist?
YEAH
Uh
its just being kind of smart ass towards the whole Portland scene in
a sense. And just how elitism runs pretty fucking rampant and how
there is no community whatsoever in Portland in my opinion. I mean
there’s, there’s starting to be but I feel like it’s the youth
like the younger bands coming up that have the community and what
not. But its awesome because everyone is doing rad shit.. Book
of Belial and
Transient
and
just all these bands even Helghast
and other newer bands are fucking amazing. But ya know, it’s just
sort of a “FUCK YOU” to all of the Portland scene. At the same
time it’s not a solid “FUCK YOU” but more of a “COME ON! GET
WITH THE PROGRAM!” there is no reason why we can’t all play shows
together all of the time. Like lets say one band all of the sudden
has more people at their shows than most, and it’s like “oh we
can’t play with you anymore because we’re big…” It’s like
FUCK! Have some fucking loyalty to your friends.
AS
IF YOU’RE NOT GOOD ENOUGH BECAUSE YOU’RE FROM A DIFFERENT CROWD?
Yes! It just
irritates me to no end -he
takes a drink and passes my giant cup of beer back
- ha ha yeah, long story short: that’s our name.
HOW
DID YOU GUYS FIND EACH OTHER?
It
started out with Taylor, Brint, and Charlie the original members. They
were in a band called Songs
From The Rodeo and
I was singing in El
Cerdo
and their original singer was from Boise, Idaho and they were just
sick and tired of never being able to play and he wasn’t into what
they wanted to do anyway., They wanted to do something darker and
more grindy and sludgy.. El
Cerdo slowed
down to where they weren’t playing shows hardly at all anymore. I
was like I wanna start a really dark, crusty, grindy, sludge band
that’s just disgusting and louder than fuck. Ya know? To put
that lightly ya know? <laughs> yes
to say something intelligent about it. But anyway that was it and
Taylor was like that’s exactly what I want to do. Something just
wildly abrasive and super dark at the same time. So Songs
From The Rodeo broke
up and El
Cerdo was
doing nothing and we’d all been friends for years so it just sort
of fell together. That’s just how it all started. But it’s funny
because no we only have half the members from the original band. Nick
from El
Cerdo came
and joined us and Joel from his band is playing with us now too. So
it’s a new line up and it’s even more so what we had hoped for. It’s
the way it should have been from the beginning.
WHAT ARE YOUR FAVORITE LYRICS AND
WHAT’S BEHIND THEM?
Uh…
I don’t know… um.. Let me think… fuck…
MAYBE
OFF OF A NEWER ALBUM?
We
have a new song and some of the lyrics go “panning for liquid gold
in a sea of arteries” It’s just talking about experimenting with
drugs and what not and when you’re experimenting with drugs or
whatever and looking for a form of utopia of sorts. Really, you know
you don’t need to find this type of escape in drugs but it had that
whole hopeless romantic feel. Like obviously doing heroine is a
terrible thing but it just had that whole hopeless romantic vibe to
it.
IS
IT THE ALLURE OF COMPLETELY ALTERING YOUR CURRENT STATE OF MIND IN
SEARCH OF SOMETHING TO DISTRACT FROM RESTLESS UNSATISFACTION WITH
LIFE?
Yeah,
just being helpless, and feeling like there is something missing, a
huge void in your life and knowing that you probably really are
never going to be able to fill just because… I don’t know.. just
because. <laughs> I
don’t know I have a loss for words for it right now. I am just
very angry because I have a huge chip on my shoulder because of where
I grew up and who I grew up around. I am constantly trying to detach
myself from my where I grew up just because I am so disgusted with
the people I grew up with and what not. You can take that however
you want, like oh, he’s just a fucking asshole. But I take it
like I am constantly trying to do as much as I can in a fucked up
world. In a nutshell. <laughs>
QUITE
A NUTSHELL INDEED. UH… WHAT SHOULD I ASK?… UH?
I
dunno .. Uh you want to ask us about our influences? <he
hints>
YEAH,
SURE… INFLUENCES… GOOD Uh
ok., this is actually the question that the guys were like “ oh
dude when you do the interview you should talk about this…” and
I was like ok…
WERE
THEY EXCITED ABOUT THE INTERVIEW?
yeah!
<enthusiastically>
actually they were,
they just had to go drop off all of the gear in
fuck degree weather… yeah that’s my least favorite thing to do,
unload gear.. I always get lost in the van.. And we have a ton, like
A TON of gear.. Its always like fuck yeah lets be the loudest bad
ever, but then we have to lug it all home in like fifty cabs… but
anyway for me my biggest vocal influences are probably At
the Gates… Depeche Mode… fuck
I don’t know… Amebix…
Probably
just like gothy weird shit. I mean Depeche
Mode
more than anything, the mood of Depeche
Mode
and like Converge,
early 80’s goth stuff even too. Joel is way into like Jesus
Lizard
and that sort. Nick is the weirdest. Ok im just going to say this.
WEEN. WEEN is his biggest influence and lets just leave it at that.
WEEN with a fuckin… yeah…caps… WEEN. Caps Lock WEEN. Enough
said.
<<AT
THIS POINT SOME OF THE HOUSE KIDS WHO HAD JOINED IN A CIRCLE AROUND
US TO LISTEN OFFERED US SOME GOLDSCHLAGER LIQUEUR>>
Hell
yes I’ll have some! I just ate a bunch of liquorish! <he
laughs> “like
you ate an entire pack of big red!” the house kid exclaims… DUDE!
YES! Done and done! Just like big red!
“I
love big red!”
the house kid slurs… I hate big red….
THE
CONVERSATION CONTINUES ON ABOUT GUM FOR A MINUTE, ENTHUSIASTICALLY. I
CANT COMPREHEND DRUNK KID AT THIS POINT… I THINK HE IS SINGING
THE TUNE FROM NINTENDO. .. JOSH TRIES TO WRAP IT UP, THE HOUSE KIDS
INVITE US BACK TO SEE THE WALL OF FORTIES IN THE BEDROOM… THIS
GOES ON FOR A WHILE.
***intermission***
UM
I DON’T KNOW, OTHER THAN MUSICAL INFLUENCES WHAT CAN YOU SAY
INSPIRES YOUR MUSIC?
Aw
man.. Maldoror. He’s like an early 1900’s French writer. It’s
all fatalist writing and what not, he just talks about… he just
tries to identify…
HE
WROTE THE BOOK…
Yeah
there is a book just called Maldoror
and it’s a
compilation of… its not even poetry.. Its just his
writing and self perspective on life.. He has this line that I
actually reinterpreted into a song, it says in the book he “views
the world like a cabin boy being beaten…” or NO. it says he
“views the ocean like a cabin boy being beaten, like the ocean is a
bruise on the back of the world.” I think that’s fucking
beautiful. This writer wrote a book called Apocalypse
Culture ,
way inspiring lyrically… and im drawing a blank on the other one
that I really like by Maldoror. Probably because I just got hit in
the face with a base and smashed into a wall during the show…
<laughs>
Literally I get brutally hurt every show I've played a show in my
entire life.
SO
WHATS THE CRAZIEST STORY FROM ONE OF YOUR SHOWS?
um…
the craziest Elitist show might have been when we played in Idaho. We
played this show in this basement that looked like the basement
from the Evil Dead. It was literally like 8” long by 12” wide
and I just got punched in the face a lot. AND literally there was a
trapped door that we could fall down, and every time we moved , the
equipment would fall and fuck shit up. The most haggard show was
when we played the Pink House and we flooded the basement because I
ripped the water main out… and.. that’s.. a legendary story…in
Portland.. <he
squeaks.. jokingly>…
NOT PROUD OF IT BY THE WAY! DIDN’T MEAN TO! DIDN’T MEAN TO AND
IM SORRY GOD DAMNIT!! IM SORRY!!! But um, I don’t know the whole
point of Elitist is just to be the darkest, heaviest, loudest, band
in Portland. We want our influences to be heard but we don’t want
to be defined by them.
We
just want to be something a little different, and I don’t know if
we succeeded but I like to think we are on our way…
EVERYTHING
IS A WORK IN PROGRESS
Truly
and we have grown a lot as a band. I mean when we first started we
were like a straight grind core band, some crust and hardcore over or
undertones however you want to say it. But its progressed to where
its gotten darker and heavier and more upset.
SO
WHEN YOU GUYS PRACTICE, WHAT ARE YOUR BIGGEST DISTRACTIONS?
DRUGS
AND ALCOHOL. Doing copious amounts of drugs, and drinking heavily. I
don’t want to say that we are a party band but we sort of admit
that when we play. But our music is not at all about that, not in
the slightest. We definitely experiment and party hard but its more
personal shit really. We are all really fucked up dudes. We’ve
all seen a whole bunch and we’ve all been through a whole bunch and
that’s what makes us upset. All the chips on our shoulders . That’s why
we do what we do.
WERE
YOU SURPRISED THAT EVEN THOUGH THE WEATHER IS TERRIBLE YOU HAD SUCH A
GOOD TURN OUT FOR YOUR SHOW TONIGHT?
Yeah! Actually, I
was. Well, yes and no. Owen
Hart.
Amazing band. I’ve been friends with the singer forever. All the
bands he’s ever been a part of has been amazing. Book
of Belial. Amazing,
amazing band, truly. One of the best bands in Portland hands down.
Yeah its just fun to be able to play with bands like this. Even
though its fucked outside people still come out to have a good time.
One of the most intimate shows I’ve played in a long time. A lot of
people that had never even heard any of the bands came out because
they wanted to have a blast and support some local sound. This house
is getting pretty legendary. I’ve been to a few shows here at the
Lombard House and every time its been chaotic and awesome. Fucking a
blast! Enjoying extreme shit ya know?
SO
WHAT DO YOU LIKE AND DISLIKE ABOUT THE PORTLAND SCENE?
Oh
man. Getting deep on me… shit… uh.. I don’t like the separation
of the groups, like if you listen to hardcore , grind core, doom or
whatever how you only go certain shows for certain bands. I just
feel like it should all be one thing ya know? Portland’s a small
fuckin city and it is one of the most amazing cities for music. So
much diversity, but when it comes down to it it's underground, and
sweaty and rockin and people are all into it. Fuckin just go out and
enjoy these bands! Most likely if you like Jesus
Lizard,
you’ll like Black
Elk. If you like doom
bands, you’ll like Trees. GO TO THEIR
SHOWS!! FUCKING SERIOUSLY! We are all in to heavy weird
shit, lets just go out to all the shows. I don’t get it. It
fucking bums me out ya know? My beef is the lack of people wanting
to progress in a sense. It disgusts me. It pisses me off. I don’t
get it and it upsets me a great deal. That’s my beef.
<
Random guy listening asks: What’s your opinion of the punk scene
today?>>>
On
the punk scene today? Uh .. Its kind of an ambiguous question. There’s
so many levels of what “punk” is. Oh the punk scene?!!
Its like what do you mean?! If some guy says to me that a band like
Trap
Them
isn’t punk well its like I feel like those guys are punk as fuck. Owen
Hart…
those guys aren’t punk.. But once again those guys are super punk!!
They don’t give a shit about anything. At all. Oh, is Rancid
punk? That’s the thing…
IS
PUNK A PERSONALITY
yeah
I cant decide. I feel like defining what punk is or what modern punk
is is so ambiguous. That’s the beauty of it. Punk is, or to
people that are moderately intelligent and can make up their own
minds as to what they want to listen to and don’t fucking sell out
or listen to the bullshit that’s going around you is that punk is
honestly whatever you want it to be. Punk is an ambiguous thing in
this day and age. Literally if it makes your hair stand up on the
back of your neck and its different and its whatever then that’s
punk to me. People that don’t care about anything else, they don’t
care about what’s popular. That’s punk. It doesn’t matter
about what you’re wearing, its there. Its being there. Punk is
whatever you want it to be. Like style. Style is out the fuckin
window. This ties in with our name, with the basis of our name and
what we are talking about. I mean we all dress differently, I dress
totally outrageous sometimes. I wear a leather jacket, and im vegan.
Which makes it even funnier,.. I mean its all vintage leather and
what not but ill wear that with all this weird shit and someone could
be like oh you’re a crazy hipster looking fucker! Well SO WHAT
MAN!? I like what I like. Who fucking cares! And that’s the fucked
up part about the punk scene these days. Its like you have to have
shock hair and an Amebix
patch on the back of your jacket and you’re instantly punk. Oh
you’re not only punk, but you’re fuckin punk as shit! Its like
NO! its about being different! Ask me what punk is? I don’t know
what the fuck punk is. I don’t know what the FUCK punk is. No one
does, and if anyone sits down in and interview and says oh I know
what punk is, well they’re a fucking dipshit. Not only are they a
dipshit but they are ignorant. Modern punk? Punk? What does that
mean? I don’t know., to define it would almost be like destroying
it. Do a whole bunch of drugs, be homeless and stinky. There you
go. that’s punk. HATE EVERYONE. I said it! Wear a lot of black
and hate everyone.. that’s what I do. <laughing>
<Local
Bands? Cower? * at this point im letting the random kids ask
questions* there are a lot of folks that will say, come see cower and
just leave.. Thoughts?..>>>
I
mean… I don’t give a fuck if I sound like an ass hole. Ok?! PUT
THIS IN THE INTERVIEW! Because I don’t give a fuck! There is that
tough guy hardcore scene that I can not fucking stand. Those people
that walk around like they are somehow valid for throwing shows like
five years ago. And its like fuck you! Sorry you didn’t grow. Its not
about being hip, fucking be passionate and expand yourself. I mean what
defines passion? Randomly beating the fuck out of
people, racism and supporting rape culture? Fuck no! I love
Portland because we don’t allow that shit to exist. As unattached
as people are about going to shows, we still share commonalities that
I love. We are not going to let violent ignorance run rampant in our
city.
<regaining
control of the interview and brining it to a close I ask, last
words?>>> Um… watch two and
a half men. And play the wii. Watch two and a
half men because Charlie sheen is back on top and its rad.. Oh and
gossip girl! Yes, watch two and a half men and gossip girl because
if you wanna escape life ya might as well watch a bunch of rich
people with problems.
(top)
The
Rains of Death in Gaza
Laila
El-Haddad writing from North Carolina, the US, Live
from Palestine,
27 December 2008
We woke up this
morning to the news in Gaza. It seems we always wake up to news there
-- so it has become a matter of perspective how bad the news is each
time; how remote it seems each time; how real or not; how severe and
whether the severity warrants an "international outcry" or
whether the animals can continue to suffer in their cages for a while
longer.
We received a call from my in-laws in Lebanon at an
early hour, checking in on my family in Gaza, since they cannot call
them directly. We call my parents. My father does not answer. We call
his mobile, we reach him. He has just returned from al-Shifa hospital
-- we hold our breaths.
"We are OK. We went to donate
blood and to see if they needed any help" says my father, a
retired surgeon.
"We were in the market when the strikes
began. I saw the missiles falling and prayed; the earth shook; the
smoke rose; the ambulances screamed," he said, the sirens
audible in the background. He was on Talatini street at the time of
the attacks, just a few streets down from one of the attack
sites.
My mother was in the Red Crescent Society clinic near
the universities at the time of the initial wave of attacks, where
she works part-time as a pediatrician. Behind the clinic was one of
the police centers that was leveled. She said she broke down at
first, the sheer proximity of the attacks having shaken her from the
inside out. After she got a hold of herself, they took to treating
injured victims of the attack, before they transferred them to
al-Shifa hospital. There, she said, medical necessities were in short
supply: face masks, surgical gloves, gowns, etc.
My parents
live in the the Gaza City center, and the Israeli war planes attacked
people and locations all around them. More than 50 "targets"
by 60 warplanes, read the headline from the Israeli newspaper
Haaretz.
And more than 220 killed in broad daylight, in the after-school rush.
Like a movie or a game. If you say it enough times, it does not
sound real anymore. Fifty targets, 60 warplanes, 200 people, one day.
All very sanitary. Very sleek. Neatly packaged: war in a
gift-box.
"There is a funeral passing every minute. The
bodies are piling up."
Gaza's air is saturated with the
acrid smell of burning human flesh. There is panic, as one would
imagine dogs would panic in an overcrowded cell when several of their
own are violently, abruptly killed. But dead dogs in a cage, however,
would create an outcry.
The rains of death continue to fall on
Gaza. And silently, we watch. And silently, governments plotted: how
shall we make the thunder and clouds rain death onto Gaza? Egypt, the
United States, Israel ...
And it will all seem, in the end of
the day, that they are somehow a response to something. As though the
situation were not only acceptable, but normal, stable, in the period
prior to whatever this is a response to. As though settlements did
not continue to expand; walls did not continue to extend and choke
lands and lives; families and friends were not dislocated; life was
not paralyzed; people were not exterminated; borders were not sealed
and food and light and fuel were in fair supply.
But it is the
prisoners' burden to bear: they broke the conditions of their
incarceration. They deviated. But nevertheless, there are concerns
for the "humanitarian situation": as long as they do not
starve, everything is OK. Replenish the wheat stocks
immediately.
The warden improves the living conditions now and
then, in varying degrees of relatively, but the prison doors remain
sealed. And so when there are 20 hours of power outages in a row, the
prisoners wish that they were only eight; or 10; and dream of the
days of four.
THE
AMOUNT OF DEATH AND DESTRUCTION IS INCONCEIVABLE
Safa
Joudeh writing from the occupied Gaza Strip, Live
from Palestine,
27 December 2008
It
was just before noon when I heard the first explosion. I rushed to my
window and barely did I get there and look out when I was pushed back
by the force and air pressure of another explosion. For a few moments
I didn't understand but then I realized that Israeli promises of a
wide-scale offensive against the Gaza Strip had materialized. Israeli
Foreign Minister Tzpi Livni's statements following a meeting with
Egyptian President Hosni Mubarak the day before yesterday had not
been empty threats after all.
What followed seems pretty much
surreal at this point. Never had we imagined anything like this. It
all happened so fast but the amount of death and destruction is
inconceivable, even to me and I'm in the middle of it and a few hours
have passed already passed.
Six locations were hit during the
air raid on Gaza City. The images are probably not broadcasted on US
news channels. There were piles and piles of bodies in the locations
that were hit. As you looked at them you could see that a few of the
young men were still alive, someone lifts a hand, and another raises
his head. They probably died within moments because their bodies were
burned, most had lost limbs, some of their guts were hanging out and
they were all lying in pools of blood. Outside my home which is close
to the two largest universities in Gaza, a missile fell on a large
group of young men, university students. They'd been warned not to
stand in groups as it makes them an easy target, but they were
waiting for buses to take them home. Seven were killed, four students
and three of our neighbors' kids, young men who were from the Rayes
family and were best friends. As I'm writing this I can hear a
funeral procession go by outside; I looked out the window a moment
ago and it was the three Rayes boys. They spent all their time
together when they were alive, they died together and now they are
sharing the same funeral together. Nothing could stop my 14-year-old
brother from rushing out to see the bodies of his friends laying in
the street after they were killed. He hasn't spoken a word
since.
What did Israeli Prime Minister Ehud Olmert mean when
he stated that we
the people of Gaza weren't the enemy, that it was Hamas and Islamic
Jihad which were being targeted? Was that statement made to infuriate
us out of out our state of shock, to pacify any feelings of rage and
revenge? To mock us? Were the scores of children on their way home
from school and who are now among the dead and the injured, Hamas
militants? A little further down my street about half an hour after
the first strike, three schoolgirls happened to be passing by one of
the locations when a missile struck the Preventative Security
Headquarters building. The girls' bodies were torn into pieces and
covered the street from one side to the other.
In all the
locations, people are going through the dead, terrified of
recognizing a family member among them. The streets are strewn with
their bodies, their arms, legs, feet, some with shoes and some
without. The city is in a state of alarm, panic and confusion, cell
phones aren't working, hospitals and morgues are backed up and some
of the dead are still lying in the streets with their families
gathered around them, kissing their faces, holding on to them.
Outside the destroyed buildings old men are kneeling on the ground,
weeping. Their slim hopes of finding their sons still alive vanish
after taking one look at what had become of their office
buildings.
And even after the dead are identified, doctors are
having a hard time gathering the right body parts in order to hand
them over to their families. The hospital hallways look like a
slaughterhouse. It's truly worse than any horror movie you could ever
imagine. The floor is filled with blood, the injured are propped up
against the walls or laid down on the floor, side by side with the
dead. Doctors are working frantically and people with injuries that
aren't life-threatening are sent home. A relative of mine was injured
by a flying piece of glass from her living room window and she had
deep cut right down the middle of her face. She was sent home; too
many others needed more urgent medical attention. Her husband, a
dentist, took her to his clinic and sewed up her face using local
anesthesia.
More than 200 people dead in today's air raids.
That means more than 200 funeral processions, a few today, most of
them tomorrow, probably. To think that yesterday these families were
worried about food and heat and electricity. At this point I think
they -- actually all of us -- would gladly have had Hamas forever
sign off every last basic right we've been calling for the last few
months if it could have stopped this from ever having happened.
The
bombing was very close to my home. Most of my extended family live in
the area. My family is OK, but two of my uncles' homes were
damaged,
We can rest easy, Gazans can mourn tonight. Israel is
said to have promised not to wage any more air raids for now. People
suspect that the next step will be targeted killings, which will
inevitably means scores more of innocent bystanders whose fates have
already been sealed.
FROM
MUMIA ABU-JAMAL: FREE THE ATENCO 13!
[col.writ.
10/23/08] (c) '08 Mumia Abu-Jamal
As
economies crumble around the globe, states are becoming increasingly
repressive, especially against those who are its political opponents
and resisters.
This isn't a regional observation, but a global one.
That tendency is seen in the prosecution and unjust sentencing of men
and women from Atenco, Mexico.
The state repression stems from popular resistance to police attacks on
flower vendors in May 2006 in Texcoco, Mexico. People supported the
flower vendors and not the police, who are among the most corrupt in
the world.
But, as ever repression breeds resistance, for the struggle to support
the flower vendors led to pitched battles between the people and the
State police. For two days (May 3rd and May 4th, 2006) the two sides
battled back and forth, baton and rock, Molotov cocktail and
projectile, hand to hand, like the ebb and flow of the sea on the
shore. When the state seized several townspeople, people in turn held
some of their agents, demanding freedom for their captive comrades. The
police then arrested more than 200 people, beating, sexually abusing,
raping and indeed, torturing them. Two young boys were killed.
These struggles took place in the villages of Texcoco and in San
Salvador Atenco. Atenco has a long history of resistance to the central
government, dating from before Mexico's Revolution of 1910.
So, among the over 200 men and women arrested, the state keyed on
organizers and leaders, and brought out heavy ammunition to destroy
them, and through them, the growing popular resistance to government
repression and seizures of peasant and indigenous lands.
In 2001, the poor of Atenco organized the Peoples' Front for Defense of
the Land (Frante de Pueblo por Defensa de Terra) and stopped former
Mexican President Vincente Fox from grabbing their farmlands. When they
prevailed, a movement was born. It was this group which spearheaded the
defense of the flower vendors of nearby Texcoco, and it was this group
which was targeted by the state.
A year after the May 2006 street battles, three prominent leaders of
the Peoples' Front (FPDT), Ignacio del Valle, Felipe Alverez, and
Hector Galindo were sentenced to 67 1/2 years in maximum security. Last
August, "nacho" del Valle was hit with an additional 45 years for the
Atenco Resistance.
He was not alone in this.
Others - Oscar Hernandez, Alejandro Pilon, Julio Espinosa, Pedro Reyes,
Juan Carlos Estrada, Jorge Ordonez, Narciso Arellano, Ines Rodolfo
Cuellar, and Eduardo Morales were each sentenced to almost 32 years in
prison for their roles in the Atenco Resistance.* One of the flower
vendors, Patricia Romero, was given 4 years (she, her father and son
are now out on bail).
Members of the Peoples' Front and other Atenco activists are determined
to fight for their people, and their freedom. They urge you to support
their struggle. You may sign a petition seeking freedom for the Atenco
political prisoners at: contraimpunidad at gmail.com
FREE THE ATENCO 13!
(top)
Dispatches
from Iraq
AS
USUAL, THE NYT IGNORES IRAQI OPINION; ANECDOTES TRUMP POLLS ON
WITHDRAWAL
By
Dar Jamail
The
New
York Times
failed spectacularly in its coverage of Iraq’s alleged weapons of
mass destruction, helping lead the country into war and only much
later
publishing a half-hearted mea culpa. As the near-apology
acknowledged, the paper’s failure resulted in large part from its
lack of skepticism regarding its sources, most notably exiled Iraqi
politician Ahmed Chalabi.
Despite the mea culpa, though, the
Times
continues
to mislead on Iraq, particularly on the issue of whether or not
Iraqis want the U.S. military to exit their country. Once again, that
journalistic failure seems to be rooted in the same fundamental
problem of overconfidence in the paper’s sources and ignoring the
obvious contradictory evidence.
An article by Times
reporter Stephen Farrell headlined, “Should U.S. Forces Withdraw
From Iraq? The Iraqis Have a Few Opinions” (9/9/08) serves as a
recent example. The piece, which also kicked off a special series on
“the debate among ordinary Iraqis over the presence of American
troops” that ran in the Times’
online blog section, purported to bring readers insight into Iraqi
opinion on withdrawal. “As Iraqi and American diplomats negotiate a
deal for American troops to stay in Iraq, or not, Iraqis are also
debating the issue,” —as
though there is a great deal of debate among Iraqis about whether
they prefer that their country continue to be occupied.
The
Times
reporter split Iraqis into “three categories” of opinion, with
only one actually supporting the withdrawal of occupation forces.
Besides a group that “simply [wants] the Americans to leave,
period,” Farrell described one pro-occupation group of Iraqis that
“worries that the brief period of improving security which Iraq has
witnessed this year will be vulnerable if the Americans abruptly
withdrew.” Those in this group, according to Farrell, “say the
United States has a moral obligation to remain, and that continued
presence of the occupiers is preferable to a return to rule by gangs
and militias.”
Farrell described the other pro-occupation
group as sharing “a common worry, that without a referee, Iraq’s
dominant powers—Kurds in the far north and Shias in the center and
south—will brutally dominate other groups.”
Farrell gave
no indication of the relative sizes of each group, but the Iraqi
quotes featured below the piece seemed to suggest that the
pro-withdrawal group was quite small: Only two of the ten people who
expressed a personal opinion about the troops spoke in favor of
immediate withdrawal.
Survey
says
Notably,
Farrell opted not to include polling data in his article. Perhaps
that’s because had he done so, it would have undermined the thesis
of his piece.
A poll from March 2008 conducted by Opinion
Research Business (ORB) for the British Channel
4
(2/24–3/5/08) found 70 percent of Iraqis wanting occupation forces
to leave. Within this group, 65 percent wanted them to leave
“immediately or as soon as possible”—meaning fully 46 percent
of Iraqis would fall under Farrell’s “leave immediately” group.
Another 19 percent wanted them out within a year or less, while 12
percent wanted to wait until “whenever the security situation
allows it.” (Interestingly, in Baghdad—where Times
journalists are based—the number of those who wanted troops out
immediately was only 42 percent, while 20 percent wanted to wait
until the security situation improves; still, a majority wanted
troops out within a year.)
Another March 2008 poll conducted
by D3/KA for ABC
News
and other media outlets (2/12–20/08) similarly found that 73
percent of Iraqis either “somewhat” or “strongly” opposed the
ongoing foreign troop presence in their country, with 38 percent in
favor of immediate withdrawal. Only 7 percent of Iraqis—primarily
Kurds—“strongly” supported the presence of occupation
forces.
The D3/KA survey, which did not offer a timetable for
withdrawal as a choice, found 35 percent of Iraqis wanting troops to
stay until security is restored and another 24 percent wanting them
to stay until the government is either “stronger” or can “operate
independently.” But with respect to the “improving security”
that Farrell pointed to as a reason many Iraqis want troops to stay—a
result, according to media conventional wisdom, of the successful
troop “surge” (Extra!,
9–10/08)—61 percent of Iraqis said the U.S. troop presence was
making security worse, compared to only 27 percent who said better.
The same survey found that 70 percent of Iraqis believe the U.S. and
other “coalition” forces had done “quite a bad job” or “a
very bad job” in carrying out their responsibilities in Iraq.
To
illustrate the U.S.’s “dilemma,” Farrell made references to two
previous occupations of Iraq: the failed British occupation during
the 1920s and the Empire of the Caliphate under the Ummayad
provincial governor al-Hajjaj in 694 AD. The examples presented
Iraqis as irrepressibly “fractious” and “troublesome” going
back to ancient times; as Farrell concluded loftily, “Names and
governments change, but there is nothing new under the Mesopotamian
sun.”
According to such logic, chaos, violence and majority
Iraqi opposition to the occupation would seem to have less to do with
the occupation itself—which has left an estimated one million dead
and nearly 5 million displaced UNHCR—and
more to do with an inherent incapacity to accept the “civilization”
or “democracy” that a brutal occupation brings.
Unchanging
trends
Bylines
and dates change, but there is nothing new under the Manhattan sun. A
look back at New
York Times
coverage of Iraqi opinion over the years shows a long trend of
ignoring polling data despite their ready availability and their
remarkable consistency.
A Gallup poll from April 2004 (USA
Today,
4/28/04) revealed that “a solid majority [of Iraqis] support an
immediate military pullout.” Fifty-seven percent said the coalition
should “leave immediately.” The same poll found that 75 percent
of the residents of Baghdad favored an immediate withdrawal. At the
same time, a poll from the Iraq Center for Research and Strategic
Studies (4/28/04), which was partly funded by the State Department
and had coordinated its work with the Coalition Provisional
Authority, found that more than half of all Iraqis wanted an
immediate withdrawal of all U.S. forces, an increase of 17 percent
over the previous October.
In writing about Iraqi opinion,
though, the Times’
Ian Fisher
ignored this data, asserting, “There are still far more people . .
. who are skeptical of, and maybe even hate, the Americans but see
them as the only way to save themselves.” As evidence, Fisher cited
not scientific surveys—as those would have contradicted his
claim—but rather a tally conducted by Sadim Samir, a 23-year-old
political science student at the University of Baghdad, who
“canvassed five neighborhoods” of Baghdad for a “class
paper.”
Two years later, Times
journalist
Michael Gordon, who co-wrote some of the Times’
most misleading WMD reports with Judith Miller and still periodically
files stories from Iraq, criticized Democrats calling for a
withdrawal from Iraq because, Gordon argued (CNN)
there
are a significant number of players in Baghdad today who don’t mind
if the Americans withdraw. These are the militia leaders. They would
be happy if the United States withdrew, because, then, they can go
and carry out their ethnic cleansing campaign against the
Sunnis.
But a poll by the Program on International Policy
Attitudes (9/1–3/06) found that then, as today, 7 in 10 Iraqis
favored troop withdrawal within a year—not just a small band of
“militia leaders” bent on ethnic cleansing.
More recently,
18 Iraqis were interviewed for the Times
article
“In Iraq, Mixed Feelings About Obama and His Troop Proposal,” by
Sabrina Tavernise and Richard Oppel.
Again, the Times
preferred
to rely on the opinions of less than two dozen Iraqis rather than
refer to available polling data that would have undercut the theme of
the story: that Iraqis faced “a deep internal quandary” about
Obama’s support for withdrawal.
The first Iraqi quoted was a
general who, when asked about Barack Obama’s plans to draw down
troops in Iraq, shook his head and said: “Very difficult. . . . Any
army would love to work without any help, but let me be honest: For
now, we don’t have that ability.” When the piece mentioned one
Iraqi who favored immediate withdrawal, his quote (“I want them
[U.S. soldiers] to go to hell”) was framed in rhetoric couching the
situation as “complex.” The piece concluded by quoting an Iraqi
government official who, having traveled to Germany and seen the U.S.
bases there, said: “I have no problem to have a camp here. . . . I
find it in Germany and that’s a strong country. Why not in
Iraq?”
Writing
history by anecdote
One
of the New
York Times’
chief perpetrators of skewing Iraqi opinion is John Burns. The paper
sent Burns to Baghdad during the lead-up to the invasion of 2003, and
he served as bureau chief there until the summer of 2007; his
perspective on the occupation no doubt heavily influenced the Times’
reporting from Iraq.
Burns, the son of a NATO general, has
publicly voiced his remarkably uncritical view of U.S. foreign
policy, telling Rolling
Stone
magazine:
The United States has been overwhelmingly a force of good in the
world. This is very unfashionable talk, but I think this ought to be
remembered here. I grew up in a world where the survival of democracy
depended on the military and economic power of the United States. If
that power became less credible here, I think the world would be a
lot less safe. The stakes are extraordinarily high. I think this is a
tipping point in the fate of the American empire.
Many
journalists with the Times
used to regularly report from the streets of Iraq in the early days
of the war, before the security deteriorated to the point where most
decided against venturing out; Burns, however, was not generally one
of them. Those of us reporting from Iraq rarely saw Burns, the winner
of two Pulitzer Prizes, leave the heavily guarded New
York Times
compound unless he was going on an embed or taking an armored convoy
over to the Green Zone to report on the military press conferences
that we referred to as the “five o’clock follies.”
When
journalists report this way in Baghdad, they put themselves in a
position of total reliance upon the Iraqis they hire to send out into
the streets with questions; they then have to sift through the
answers those Iraqi reporters bring back to find anecdotes to fit
their stories. In this way, history is written by anecdote, and this
is exactly what the Times
does
by quoting individual Iraqis or referring to “Iraqi opinion”
without citing available polls.
Despite his limited
perspective on Iraqi opinion, Burns has repeatedly presented that
perspective to the public without caveats, both in the Times
and in other outlets—most frequently the Charlie Rose show on
PBS—and
it’s a perspective that runs counter to the survey data.
“In
my experience, the great majority of Iraqis are . . . very loathe to
see those American troops leave now,” Burns told Rose on June 14,
2006, shortly before the State Department’s own polls showed nearly
half of Iraqis wanting immediate withdrawal and seven in ten wanting
troops out within a year (Washington
Post,
9/27/06). Burns told Rose a year later (PBS,
7/17/07):
I
think, quite simply that the United States armed forces here—and I
find this to be very widely agreed amongst Iraqis that I know, of all
ethnic and sectarian backgrounds—the United States armed forces are
a very important inhibitor against violence. I know it’s argued by
some people that they provoke the violence. I simply don’t believe
that to be in the main true.
Meanwhile, Iraqis were telling
pollsters the opposite: 69 percent believed U.S. troop presence was
making the security situation worse (D3, 2/25–3/5/07), and they
believed security would get better rather than worse in the immediate
weeks following a coalition troop withdrawal by two to one (ORB,
2/10–22/07).
As Baghdad bureau chief, Burns’ influence
reached beyond Times
reporting. When the National
Journal (12/9/05),
for example, wanted to give readers the “assessment” of the Iraqi
people, they cited Burns: “I think you would get overwhelming
assent from Iraqis that should American troops be precipitously
withdrawn from the war, civil war and escalation of the sectarian
conflict already under way would become virtually
inevitable.”
Mismeasures
and misjudgments
Burns’
piece on the fifth anniversary of the war gave some
insight into the paper’s attitude toward both polls and
the situation in Iraq. The lead photo of the piece showed U.S. bombs
exploding over Baghdad during the initial invasion, with the title
“The Air Show.” The caption read: “The war began with a
mesmerizing display of American might. But the United States made a
basic misjudgment about the Iraqis’ readiness to share
power.”
Burns downplayed the number of Iraqi civilians
killed by the war—“tens of thousands”—in another instance of
the Times’
refusal to accept surveys when they have to do with Iraq. Burns’
number, the number preferred by the Times,
comes from Iraq Body Count, which only counts violent civilian deaths
actually recorded in cross-checked media outlets, and supplemented
when possible by morgue, hospital, NGO and government data. Estimates
based on scientific polling methods, which are widely accepted by the
Times
and other outlets when reporting on, say, Darfur, placed Iraqi deaths
due to violence at over 600,000 in 2006 (Lancet,)
and at over a million by mid-2007 (ORB).
Those numbers do not distinguish between civilians and combatants,
but even if one only counted women, children and the elderly as
“civilians,” more than 100,000 had died violently in Iraq as of
two years before Burns’ article was written (Lancet,
10/11/06).
Burns also blamed journalists for failing “to
uncover other facets of Iraq’s culture and history that would have
a determining impact on the American project to build a Western-style
democracy, or at least the basics of a civil society”—facets such
as “how deep was the poison of fear and distrust” and the “harsh
reality that Iraqis . . . had little zest for democracy.” Again,
Burns chose to fault “traumatized Iraqis” for the chaos and
bloodshed in Iraq, rather than the illegal, brutal invasion and
occupation of their country.
And despite his moment of
self-critique, Burns continued to do precisely what he faulted
journalists for doing in the past—failing to uncover Iraqis’
perspectives. He laid out very explicitly his view of polls:
Opinion
polls, including those commissioned by the American command, have
long suggested that a majority of Iraqis would like American troops
withdrawn, but another lesson to be drawn from Saddam Hussein’s
years is that any attempt to measure opinion in Iraq is fatally
skewed by intimidation. More often than not, people tell pollsters
and reporters what they think is safe, not necessarily what they
believe. My own experience, invariably, was that Iraqis I met who
felt secure enough to speak with candor had an overwhelming desire to
see American troops remain long enough to restore stability.
In
other words, because they don’t reflect his “own experience,”
Burns simply dismissed the validity of all polls (and most
reporting!) on Iraqi opinion, and declared his own conversations with
a minuscule slice of the Iraqi public a more reliable measure of the
opinions of the entire country.
A
problematic practice
“It’s
a tradition for journalists to see themselves as the researcher to go
out and get the story, so that’s their default position,” said
Dr. Steven Kull, director of World Public Opinion (WPO), when asked
why he thought some media outlets tend to ignore polling data.
Some journalists are not well-trained to interpret polls, so they
might be uncomfortable with them. And they might see them as a source
of competition to the
traditional approach of interviewing people and getting their
anecdotes. But a few anecdotes here and there
don’t really give you the picture.
Kull also directs the
Program on International Policy Attitudes that plays a central role
in the BBC
World Service
poll of global opinion and the polls of the Chicago Council on Global
Affairs; he gives briefings on world opinion on various issues to
Congress, the State Department, NATO, the United Nations and the
European Commission.
“The problem is that when these
[anecdotes] are at odds with polling data, these are incorrect
stories,” Kull added. “The universe of people who may be willing
to talk to a reporter may not be indicative of the attitudes of the
general population.”
Certainly the Iraqis John Burns
“know[s] best” are not representative of the population as a
whole; those Iraqis, he told Charlie Rose in 2006 (PBS,
10/20/06), were “almost all on their way to the passport office”
to get out of the country—an option he acknowledged was “only
available to the middle class, primarily to those who are being paid
in dollars.”
Kull explained that when reporters interview
some Sunnis in Baghdad who express fears of a U.S. withdrawal,
then
a reporter can reason, ‘They are a minority, and the Shia are
ascendant, and this makes sense that the Sunni feel as they do.’
But the polling data suggest the Sunnis are eager for a U.S.
withdrawal. I think it’s problematic when there is an anecdote
reported and there is polling data available to the contrary.
Kull
admits that polling in places like Iraq has its challenges, and is
imperfect, but hastened to add that when it comes to capturing
overall national opinion on topics, there is no substitute for
scientific polling: “It is far superior than the method of a
reporter going out on the street and talking to people. There’s no
question.”
(top)
Reviews
ADELITAS
- Un
Solo Grito
7” (Defector Records)
Behold!
It's our newest release Un Solo Grito by my good friends in Adelitas.
I was really excited for this to finally come out as it has been on
my personal release list for what feels like an eternity! The songs
on this 7” are some of my favorite Adelitas songs: Pesadilla
Americana which is about immigrants who come to the U.S. only
to realize that the dream is nothing more than a nightmare and Hay
que Luchar which has one of my favorite acoustic intros. Musically
this 7” is pretty damn fast but it also manages to be well balanced
with the mid-tempo folk elements. Lyrically, hearing songs of armed
revolution, about coming together to crush the evils of imperialism
may seem played out to some, but when I hear Santa and Nick sing it
feels as if they are probably the most sincere band I've heard in
ages. Other notable attributes are like how the record is a 33/45...
which come on! You know you don't even own one of those. And finally
the artwork which I think is pretty awesome, seeing monarch
butterflies flying over the border wall makes me want to smash that
thing even more. Pick it up from the distro, favorite record shop, or
when Adelitas play next! - Deterrorsean
BURNING
LEATHER – Portland
Demo CD
This has beer,
whiskey, cocaine and leather spilled all over it. Not saying that
about the band members but the music. Full on MOTORHEAD-punk! This
is a very strong demo put out by members of tons of bands. Rumor has
it they were trying to form this band for a long, long time before it
finally surfaced from the practice space and delivered this killer
punk n roll demo. I don't care what anybody says, I really like the
vocals on this. I think Jason nailed it, and the musicianship comes
surging in full force mid to slow-paced D-beat, a few guitar solos
and very catchy and sometimes over-the-top riffs. If you're into
rock and roll d-beat, with the slightest taste of glam mixed in, then
you want to see this band! You'll love it. -Zack
DEATHRAID
– Deathraid
LP (Blackwater)
Fuck yeah, I love
this band and I love this record. As most of you know, DEATHRAID is
all of CONSUME but with a different drummer. Then they added the
guitarist from STATE OF FEAR and behold, you have DEATHRAID!
Considering the line-up, and their previous bands , you would have
high expectations for this band and they seriously live up to the
hype both live and on the record. I know everybody's gonna compare
them to CONSUME, and they rightfully should because most of
DEATHRAID's first set was all songs written right around the time
that CONSUME broke up. So you should know the drill by now: gallopy,
charging d-beat and balls-out screaming vocals. This band has given
me several bang-overs by now. I think their secret to such catchy
riffage is taking really catchy rock-n-roll riffs and turning them
into really, really hard, fast d-beat. Know what I mean? It's not
like an early DISFEAR sort of repetitive, brutal d-beat. This has
more notes and extra hits, and all backed up by a formidable drummer.
This band will get you moving hard so if you ever go to see them
live make sure you've loaded up! -Zack
FLYING
FORTRESS – Flying
Fortress
CD
A local metal band
surprises me this time! I don't usually like most metal but I gotta
admit, this CD rules! This is heavy, loud double-bass metal attack! I
initially thought they were a doom-oriented metal band but they're
not as much as I thought, it's heavy metal and that's what kind of
metal I DO like. If you're into doom, crust or BOLT THROWER metal,
you'll most definitely want to check these guys out. Features members
of ONLY ZUUL. Fucking really cool, really nice guys. A real
pleasure to watch live and serve drinks to. -Zack
FUNEBRARUM
- Beneath
the Columns of Abandoned Gods
- (Nuclear War Now and Morbid Wrath)
This
is a limited collection on vinyl of remastered tracks and some demo
and rehearsal tracks, so there are 8 tracks in total, 2 versions.
Overall, the sound quality is NOT lacking for the earlier cuts. It's
all rippin', old school death metal! You can definitely hear some of
their influences in there: Nihilist and early Swedish sounds, early
Incantation, maybe even some Cryptopsy breaks and blasts. The
lyrics....subjects of, duh, death. Here is one of my favorite lines:
"reeking skin, reveling in her dead flesh, putrescent pus,
grotesque incision, cadaver." The vocal stylings range from the
Usurper or Celtic Frost accents of, "Eee-uh" (phonetic-?)-
the true will know what I mean, to the I'm gurgling blood approach.
Creepy, instrumental intros to some of the tracks, blasts from all
directions constantly, and that we're in it 'cause we love that shit
attitude---sick and aggresive Death Metal forever! -Fogg Dogg
GUNS
& ROSES - Chinese
Democracy
(some
shitty corporate label)
Another example of
how democracy continues to fail us- Deterrorsean
UNKIND
– Ei
Mataan LP
(Combat Rock Industry)
About ten years ago
this band had a 7” everywhere. I mean the name was really
everywhere, so finally I went ahead and bought it and thought that it
was decent, repetitive d-beat crust. Years later they've toned down
a little bit, so now they call themselves “dark hardcore”. Either way,
I never heard anything they released between that 7”
and this LP, so when I heard it I was really blown away. This is
dark, melodic, epic d-beat. It's really fucking catchy, and it's
always in my top playlist. The recording is very crisp, and deep
sounding. Basically, it's mid-paced d-beat with regular vocals, not
crusty vocals at all. The music, to me, sounds a lot like a mildly
slowed down REMAINS OF THE DAY, especially because every now and then
you can hear some kind of stringed instrument over the music. Almost
the whole first side bleeds together without a break, like one big
constant song but it's very dynamic and it always keeps you listening
and bobbing your head. This is probably fairly difficult to find
right now because of the trade-exchange rates between the US and
Europe, but really do yourself a huge favor and seek out UNKIND. You'll
thank me when you're older. -Zack
WARCRY
– Not
So Distant Future
LP (Feral Ward)
Finally! The first record with Grant on the axe!
You know this band: brutal
crusty d-beat, kind of like early DISFEAR's A
Brutal Sight of War,
or DISCHANGE. But as d-beat has evolved in so many differing ways,
so has this particular genre and that's why WARCRY doesn't really fit
in that category perfectly, although one might say that they've
contributed to the evolution of that genre by forcing more catchy
changes in the music to set themselves apart from that scene a little
bit. However, when WARCRY first got started a couldn't stand them, I
thought it was way too repetitive and generic. But on the last
record, Deprogram,
they managed to write themselves into being more catchy and
interesting. I have to admit, I'm not too excited about this new
album. It seems like they went into that “noise punk” thing a
little bit and focused less on hard-hitting d-beat. Maybe they've
always done this and I never noticed, or maybe I just don't like that
style all too much. Musically it's fine, loud and noisy as hell. I
can appreciate that that but in all honesty I still like the last
record, Deprogram,
a lot better. -Zack
WHO'S
THE PRESIDENT? – Take
the Money
CD (Self release)
Super-deutsche!
I picked up this free CD back on Election Day... And as I heard this
band drone it was more of a question of how long this project had
been around. Much like the election the concept is to come together
every 4 years and melt your brains to sludge... and they are very
successful. Who's the President? features members of Machine That
Flashes and Dead By Dawn, which when listening to this recording
those elements are pretty prevalent. At six songs this CD is the
sounds of the furtherest scapes... given that we've had a hellstorm
winter, it has been on heavy rotation complete with the more doomier
works of Neurosis and a Storm of Light (Thanks Tom Squalora for the
recommendation!). Take note: if the last two bands aren't your thing,
avoid this like the plague!A good portion of the tracks easily span
over the 10 minute mark. Anyway if your interested in picking up a
copy drop a line to stanioch@hotmail.com as I believe they are still
free! 4 out of 5 round ups! - Deterrorsean
We need reviews
of recent releases by: AUTISTIC YOUTH, PRF, THE VONNEGUTS, SODA POP
KIDS, THE NICE BOYS, NUX VOMICA, KNELT WROTE, DRUNKEN BOAT, and many,
many more. Colin? Where are you buddy? I know you're out there
buying records! Please feel free to email reviews to:
submissions@thedefector.com
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